I wave my SmarTrip card over the machine and step through the fare gate. I cross my fingers as I head towards the escalators. Please don’t be crowded. Please.
The platform comes into view as I near the edge of the upper deck. Ehn. Not too bad, I suppose. The station’s busy for a Sunday, but it’s far short of a weekday rush hour. I’m glad Brad let me cut out early—another hour or so and the station will be swarming with protesters. The thought of being stuck on a train with people who’ve been in the August heat all day … that is the stench of Hell.
I descend the escalator and wander to the far end of the platform. I drop onto an unoccupied bench and stretch out my legs. Oh God, that feels good. I’d only been at work five hours today, but my feet are killing me, positively killing me. Guess it’s time for new shoes. I hate the thought of it. Even if I get cheapies from Ross or Wal-Mart, that’s gonna be thirty, forty bucks out of my budget. I can afford it, but it means I can’t afford anything else for the next two weeks—no books, no pizza, no music. Not even a night out—ha-ha, that’s a good one.
I slip my iPod from my pocket, a clunky old one with a little postage stamp screen. I plug the headphones into my ears and turn it on, crank the volume to drown out the noise of the platform. Jenny Lewis starts singing about dropping acid on her tongue. The battery’s down to less than half charge—it’d been full this morning and I’d only used it for an hour on the ride to work, but it keeps losing its charge even while turned off. Well, I’ve had it since I graduated high school. Shouldn’t expect it to last forever.
Be nice, though.
I lean my head back, find myself staring up at a poster telling me, “If you see something, say something.” I drape my arms over the back of the bench—or rather, the low barrier that keeps the station lights hidden away. My fingers brush against something, come away moist. Eww. Someone had stuffed a soft drink cup back there. I wipe my hand on my pants.
This is not my day.
I’d gotten the call to come into work at eight this morning—wasn’t even out of bed yet, but Brad didn’t care. Lori had called out, he needed someone to fill in. Knowing her, she’s probably out on the Mall protesting. She’s done it five times this summer—got arrested twice. She brags about it at work, like she’s actually accomplished anything. But Brad doesn’t care. She’s cute. She gets away with murder. I’m one he calls to clean it up.
And if that weren’t bad enough, the Natural History museum was hosting the premiere of some new documentary with Liam LaGrange Bassett this weekend, and the man himself was hanging around for a Q&A after each showing. Under other circumstances, the protests would’ve scared tourists away, but meeting LLGB was too good a chance to pass up. Every time the documentary finished screening, we were inundated with customers. Only after the last showing got out at three-thirty did everything die down, and Brad said I could leave early—he’d originally wanted me to work all the way till seven.
Dammit. Why had I even agreed to come in today? I could’ve told Brad I had plans, go beg someone else. There’s nothing he could do about it. But like a fool, I said, “Okay, give me a couple hours, I’ll be there.” I always do that, I don’t know why. I wanna say “No.” Wanna say, “Hey, did you ever think I might have plans for today?” even though the only thing I ever do on my day off is laundry and reading. I want to put my foot down and say, “This is the third time you’ve asked me to work my day off this month, and it’s not even the fifteenth.” But when the moment comes, I can’t do it. I just … roll over. I tell myself, “Next time. I’ll tell him no next time.”
But I never do…
There’s a light coming from the tunnel. A rumble fills the air, audible even over my music. People move towards the edge of the platform.
I glance over at the arrival sign. Yup, this is my ride.
I stagger to my feet.
The train shoots out the tunnel and brakes to a halt with a screech. There are a lot of tourists and out-of-town protesters here, so they hesitate for a moment, making sure this is the train they need. While they’re doing that, I slip through the crowd and get onto the first car.
It’s crowded inside, but not packed to bursting. It’s not even standing room only yet. I grab a rear-facing seat all to myself at the front, behind the driver’s cabin.
Facing me from the other side of the door are two girls, college age, very pretty—very hungover. One’s passed out on the shoulder of the other, who’s sitting with her arm propped against the window, staring vacantly at the far platform.
The passed out girl is a bottled blonde. Her mouth’s hanging open, and a metal stud glints on her tongue. She’s wearing a black mesh shirt over of a tie-dye bikini top, and she has some kind of Native American tattoo around her bellybutton.
The other girl is Asian, with her hair streaked purple and red. She has a tiny diamond stud on the side of her nose, and there’s a tattoo of a roaring lion peeking out from the shoulder of her halter-top. The halter has an oval cutout that exposes the inner slopes of her breasts, along with the lion’s tail and hind legs over her heart.
The driver makes an unintelligible announcement over the intercom, presumably telling us that the next stop is Federal Triangle. Ping-pong. The doors close. The train lurches ahead.
As we plunge into the next tunnel, the girl in the halter top looks away from the window. Shit. I shift my gaze to the far end of the train, pretend I’m zoning out to my music. Yeah, I totally wasn’t checking you out just now. I’m just sitting here minding my own business.
Is she buying it?
Our eyes meet. My cheeks flush—I can’t see them, but I feel the hot blood rushing through my face right now.
I look down at my iPod and pray she’ll look away, forget about me. I can’t be the first guy to check her out, not if she’s dressed like that. Hopefully I’ll fade into the sea of pervs she must deal with every time she goes out clubbing.
A Bright Eyes song ends and Camera Obscura starts singing that we should get outta the country. Yeah, I’m with you there.
Something whaps into my forehead, tumbles onto my lap. I catch it before it slides off my thigh, look at it puzzled. Where did a pencil eraser come from?
When I look up, the halter girl has a second eraser pinned against the divider rail, her finger ready to flick it at me. She stops and signs that I should take my earbuds out. I do.
“Whachoo listenin’ to?” she says.
“Oh yeah, they’re cool.”
Why is she talking to me? Is she trying to embarrass me for checking her out? I shift on my seat.
“What other bands you like?”
“Uh...” That’s a question from nowhere. My mind blanks. “REM.” First thing I can think of.
“They’re cool too.”
The train decelerates.
“You ever hear St. Vincent?” the girl says.
“Uh, yeah. Some of her stuff. She’s good.”
The girl starts to say something else, but she’s interrupted by the driver on the intercom. The train slows to a halt, the doors open. More tourists get on board, and a gaggle of protesters still sporting their placards.
NO BLOOD FOR KIMCHI!
KNEEL BEFORE ZOD
A WOMAN’S PLACE
IS IN THE
There are still seats available, but three of the protesters opt to stand next to the door, blocking my view of the girl. A fourth guy pops his head in.
“Hey guys,” he says, “Josh and Shreya are still upstairs, you know.”
They exchange glances, but before any of them--
“Please stand clear of the doors.”
—can respond, the driver signals that we’re ready to leave. The guy gets his head out of the way and the door shuts.
“Ah, crap,” a blonde girl says.
“What do we do?” a second girl says, this one Asian. “Get off at the next station and go back?”
“What if they take the next train and we miss ‘em?” a guy says. “Nah, let’s keep on till Dunn Loring, and they’ll have to catch up.”
I put my earphones back in. The Decembrists are singing “The Bagman’s Gambit.” Now why hadn’t I thought of them when the girl asked? Or Rilo Kiley? Regina Spector? God, the band names are flooding me now.
Well, not like it woulda done me any good. The girl’s way outta my league. I’m not even sure we’re playing the same sport. Mentioning Snow Patrol might’ve gotten us another thirty seconds of conversation, but she would’ve realized I’m a loser eventually and gone back to staring out the window.
I watch the progress bar on my iPod tick slowly upwards. 7:02. “The Bagman’s Gambit” ends as the train pulls into Metro Center. A handful of passengers debark, but twice as many come on board. The few remaining seats fill up—a woman in a Marriott uniform sits next to me. The protest kids fall back to the middle of the car, new arrivals taking positions at the doors.
After Metro Center, we’re out of the tourist area, and we get through the next few stops without the train getting any more crowded. But neither does it empty out. That’s not gonna happen until we get across the river.
Speaking of which, after Foggy Bottom the train makes its descent under the Potomac, plunging so deep into the Earth that my ears pop and I have to take my earbuds out for a minute. A woman standing in front of me takes out a pack of Wrigleys, pops a piece into her mouth, gives another to her son.
The lights flicker. At first I think it might be a bulb about to give out, but no, the whole train darkened for a second, like an inverse camera flash.
There—they did it again.
The train shudders. Or is that the tunnel? The lights outside are whipping by too fast to focus on, but they seem to be shaking on the--
The lights go out completely.
“You gotta be kidding me!”
“Well this is great.”
The train’s slowing down. Wheels screech. I’m pressed backwards by inertia. There are cries and thuds as standing passengers fall over. A kid starts screaming.
The train comes to a halt with a final lurch. For a moment the car is silent save for the crying kid, but then comes the babble of a hundred people speaking at once. Lights pop up as people pull out their cell phones, but those only provide enough light to mark the outlines of people.
“Everyone all right?” a guy calls out with an authoritative voice. Probably hoping to be the take-charge leader who gets interviewed on Channel 4 News.
Everybody ignores him.
“The tunnel lights are still on.”
“They’re on batteries, probably.”
“This happen a lot?” a tourist asks.
“It’s not the first time,” someone replies.
“Should we get off? What if another train comes and hits us?”
“That can’t happen. They’ve got safety systems.”
“This is Metro we’re talking about.”
That gets a laugh.
“Wish the driver would come out and tell us something.”
“Like I said, this is Metro.”
“The intercom’s not working.”
“No shit, Sherlock.”
“Somebody knock on the door.”
“Get some answers.”
The woman next to me mutters something in Spanish.
The folks in the aisle nearest the door are tourists, and they look like little kids who’ve gotten lost in a warzone.
“C’mon, somebody knock.”
I stand and squeeze my way past the maid, stuffing my earbuds into my pocket as I go. “Excuse me.”
One of the tourists gives me a weird look as I step into the aisle, like, “What the hell are you doing? Sit down and wait for things to work themselves out.” Yeah, last time there was a Metro accident, people told themselves that, and somebody died while they were waiting.
I rap on the door, just a polite tap really. Wait.
I try again.
“Knock harder,” a woman shouts from way back in the car.
Harder it is, hard enough that the sound carries throughout the car.
Click. The door unlocks, swings inward. The emergency lights in the tunnel give just enough illumination for me to discern the short, tubby shape of the driver, his bald head lit up like a crescent moon. Sweat glistens on his scalp.
He steps out of the cabin and the light from someone’s cell phone falls across his face. He’s so pale I wonder if he’s having a heart attack. Thankfully only the people nearest the door can see him, otherwise I think the look on his face would be enough to start a stampede off the train.
“What’s going on?” somebody shouts.
“Um, I’m ...” the driver says. He looks out the window. “We should, ah ... we should....”
“C’mon, what’s the problem?”
“The power is ... ah, the power’s out.” The driver says this so softly that only those of us at the front of the car can hear him, but the incredulous groans at his comment more than make up for it.
“No shit the power’s out,” a man says behind me. “What do we do?”
“We’re, uh, we’re supposed to wait for, for Metro to come. That’s, uh, that’s standard. The standard procedure.”
“You call them?” The guy shoulders his way forward. He has on a blue button-down shirt and dress pants. He’s undone his tie and stuffed it in his pocket, but he has an ID hanging from a lanyard around his neck. By his voice, I’m pretty sure this is Mr. Take Charge.
“No. Radio’s out,” the driver says.
“So they don’t even know we’re stuck.”
“No, they’ll ... they’ll figure it out. They should.”
Mr. Take Charge and me exchange looks. He rolls his eyes in disbelief. “We should get off, walk back to the station. Or forward to Rosslyn—which is closer?”
“No, no, no, we can’t do that. It isn’t policy.”
Mr. Take Charge is about to say something back, and I don’t think it’s gonna be too nice, but just then somebody knocks on the outside door. We all turn and see a face peering in at us from the tunnel. At first I think it might be a Metro worker come to check things out, but there’s no way he could get out here that fast. Besides, the guy has on casual clothes, not exactly appropriate for tunnel work.
Through the other windows, I see more people, passengers from the rearmost cars. They’re pooling up behind the guy at the door, and they look anxious to get around him.
“Open the door,” somebody says.
A couple guys, tourists by the look of them, put their hands against the doors and try to slide them apart. When that fails, one of them grabs the door from the center and tries to pry it loose.
“There’s an emergency lever next to the door,” Mr. Take Charge says.
The tourists look and don’t see it.
“It’s right there to your left,” Mr. Take Charge says. He’s gone from sounding like a school teacher to an annoyed cop.
One of the tourists finds the lever and, after fumbling to get the cover off, manages to pull it down. The door shudders as the mechanism holding it in place relaxes. The guys have no trouble opening it now.
“Hey, is the driver here?” the guy outside says. He casts a glance over his shoulder.
One of the people behind him tells him to get outta the way and then jostles past him. He steps onto the train to avoid getting stampeded.
“Y-y-you can’t be leaving the train,” the driver says. “We need to—ah, we—ah, need to ... orderly. Yes, orderly. Need to.” Nobody pays him any mind.
“What’s the problem?” Mr. Take Charge says.
“There’s water leaking outta the tunnel roof,” the other guy says. “I mean, it’s not a lot, it’s not gonna kill us any time soon.” He leans back outta the car and looks down the tunnel. “But still, we don’t want to be taking any chances, you know.”
“Shit,” a protester says.
“Th-th-that’s not not not, that’s not,” the driver says.
The guy from the tunnel didn’t speak loudly enough for everyone to hear, but word of the leak makes its way to the back of the car. I don’t know how many permutations it goes through along the way, but by the time it gets to the rear, people are starting to panic. They move to open the other doors onto the emergency walkway, but the crowd outside is too thick for anyone to get out.
And then somebody realizes there are doors on both sides of the train. They open those as well, and people start pouring out—slowly, ketchup-like—onto the track bed.
“D-d-don’t do that,” the driver says, and for once Mr. Take Charge agrees.
“Hey, you can’t go out there,” he shouts, but by now there’s so much noise in the train that I doubt anyone but me and the driver can hear him. “Idiots. Don’t they know what a third rail is.”
“They probably figure power’s out, no danger,” I say. I see their point.
Mr. Take Charge glares at me. “Yeah, there’s no power here, but what about the rest of the tunnel? And even if the whole system’s dead, what if it comes on again?”
“So what do we do? Wait here until the crowd thins out?”
Mr. Take Charge doesn’t like that idea either. “No. Come on, I got an idea.”
He heads for the other end of the car. The driver, the hotel maid who’d been sitting next to me, and a handful of tourists follow.
I hesitate for a moment. Do I really wanna go after him? He acts like he knows what to do, but I’m getting an alpha-male vibe from him that I don’t like. He reminds me of that annoying guy on MSNBC, Chris Matthews, and how he always shouts over everyone who doesn’t agree with him, like he’s not there to discuss an issue but to cow his opponents into submission. At first you don’t mind, because you know he’s right about most things, but then you hear him say something wrong and still overpowering everyone, and you get a little wary. After awhile, listening to him becomes such a chore you’d almost rather be watching Fox News.
But, this is my life on the line. If I wait for the crowd to clear, God knows if I’ll ever get off this train—that ceiling could come crashing down at any minute. Do I really have a choice here?
So I start after him. But I’ve only gotten a couple steps when a girl calls, “Hey, you, can you give me an assist.”
It’s the halter-top girl from earlier. She’s managed to get her friend upright, but she’s not gonna stay that way without support. Getting her to move—ha! Good luck with that.
“Get her other arm and maybe we can, I dunno, drag her. Or something.”
I don’t like this. If we have to carry someone, we’re gonna get left behind. It’ll take forever to get out of here, and we don’t have forever. “I dunno,” I tell her and edge my way after Mr. Take Charge.
“C’mon. Don’t you wanna be a hero, get your face on the news?”
Not that badly. Not if it means drowning in a subway tunnel.
“C’mon, please. I can’t leave her here.”
God she’s cute, and she’s looking at me with pleading eyes. I shouldn’t do this, but… “Okay.” I pull the passed out girl’s arm around my neck and try to shoulder her weight. Oof! She’s not that big, but she’s dead weight, and even with two of us taking up the burden, she’s heavy as hell.
“What’s wrong with her?” I ask as we start to drag the girl forward.
“Y’know. She partied a little too hard last night.”
“It’s after four o’clock.” I can’t check my watch, but it’s probably closer to five.
“Yeah, well, we didn’t get to sleep until almost ten this morning.”
“Oh. That musta been some night.”
“Well, I’m not gonna ask for my money back.” But then, after thinking for a moment, she adds, “Well, except for my Metro fare.”
We’re almost to the back of the car now. People are still crowding around the side doors, waiting their turn to disembark, but the rear door—the one leading to the next car—is open and I can see Mr. Take Charge and the others on the far side.
Halter Top and I manage to get her friend through the crowd, but maneuvering her through the inter-car door proves more challenging. We end up having to go sideways, me in the lead, and it takes some effort to get the girl’s feet over the thresholds, but we manage in the end.
The next car is more crowded than ours—I guess the passengers didn’t receive the news they had to evacuate like we did, so they sat waiting until they noticed people on the emergency walkway.
“What’s going on?” a guy asks me as we come through.
“I dunno,” I say with all honesty and push on.
“Where are all you guys going?” a woman asks.
I ignore her and concentrate on dragging the passed out girl.
By the time we get to the third car, we’ve almost caught up with Mr. Take Charge, and we close the gap when he stops to open the next set of inter-car doors. Looks like his group’s grown by a bit, though most people are still opting for the side exits. I don’t have time to count, but I’d say there are about three dozen people with Mr. Take Charge now, myself and the girls included.
“You need help?” a tourist asks, a middle aged guy with a backpack so overstuffed you’d think he was hiking the Appalachian Trail. He has his family with him, his wife, two sons and a daughter. He shrugs his backpack off and hands it to the younger son, then he and his eldest take the girl from me and Halter Top.
“Thank you,” Halter tells him and leans against a pole. She rotates her shoulder and the joint pops.
“Yeah,” I agree. Just getting the girl half the train length had been an ordeal. Dragging her all the way to the next station ... no way, man. No way.
Mr. Take Charge has gotten the next door open and we pour through to the fourth car, which turns out to be mostly empty apart from a handful of stragglers waiting for their chance to get out.
“And thank you,” Halter tells me as we come through the door.
“Sure. No problem.”
“I’m Kenzie, by the way,” she says. “And my friend there is Dallas.”
I get that a lot. “Yeah. Named after my mom’s favorite actor.”
She looks at me quizzically.
“Phoenix. River Phoenix.”
“Oh, him. He’s awesome in that new Gus van Sant movie.”
“No, that’s Joaquin. His younger brother.”
“He has a brother?”
“Had. Guy ODed on drugs when I was, like, seven.”
“Yeah, I know.”
“So what movies did this guy do?”
“He played the young Indiana Jones.”
“I thought that was Shia LaDouche?”
“No, no, he was Indy’s son. River Phoenix played Indy in a flashback in the third movie.”
“Oh. Haven’t seen that one. Anything else?”
“He was in Stand By Me.”
“Is that the one about the high school in the slums? With Commander Adama as the teacher? We had to watch that in social studies, like ninth, tenth grade I think.”
We stop for Mr. Take Charge to open the next door.
“No. I don’t know what that one is. Stand By Me is about a bunch of kids who go looking for a dead body.”
“Oh. I know that one. It has the geeky Star Trek kid, right?”
“Yeah, that’s it.”
Mr. Take Charge gets the door unlatched and pulls it aside. Our group starts filing though.
“‘Suck my fat one,’” Kenzie says. “I love that movie.”
“Could you guys hush it,” a man in front of us says. I can’t see his face clearly in the dark, but I get the impression he’s on the old side. Not Wal-Mart greeter age, but he probably gets discounts at restaurants.
“Sorry,” I say.
Kenzie contorts her face into a grotesque expression behind his back.
We step into the next car. This one is truly deserted, but it’s noisier than any of the ones we’ve come through so far, filled with the sound of water drumming on the roof. It’s a heavy sound, but centered to one spot in the middle of the train. Water’s cascading down the windows, causing the tunnel lights to shimmer and waver.
“Goddamn, that sounds bad,” somebody says.
“Can you please stop cursing,” the old guy says.
“What could cause that?”
“I don’t think so,” Mr. Take Charge says. “The biggest quake this area’s ever seen wouldn’t even make the news in California.”
“Then what the hell happened?”
“There are children present, please.”
Mr. Take Charge thinks for a moment then shrugs. “No idea. But we’re not going to find out if we stay here. Come on.”
Even though the car’s empty, the crowd on the side hasn’t dissipated yet. They’re moving forward at a bare crawl.
Mr. Take Charge opens the door to the last car. As everyone presses to get through, a shrill child’s cry comes from the other side.
“Oh thank God,” a woman says. “You’ve gotta help me.”
At first there are too many people in front of me to tell what’s going on, but once we all get into the car and spread out, I see there’s a woman here with a bunch of kids. The oldest, a boy, looks middle school age, and he has a sister a couple years younger than that, but the youngest is strapped into a stroller that’s almost as big as a grocery cart. The woman’s sitting with a girl, just north of toddler-hood, on her lap.
“I wanna go home,” the girl screams. “I don’t like it here.”
“Please help me,” the woman repeats. “Everybody’s left, and I can’t handle them all by myself.”
“Of course,” a woman says—I think she’s the wife of the guy who took Dallas. She swoops forward and takes the girl. “It’s gonna be all right, honey. We’ll get you out of here.”
“Thank you,” the mother says. “I didn’t know what I was gonna do. I thought we was gonna be stuck here and nobody was gonna come.”
“It’s okay now,” the other woman tells her.
The mother slips off her seat and checks on the baby in the carriage. He—she? It? Whatever. The baby is zonked out, thank god. I don’t know how long it’ll stay that way, but the longer the better. If it can stay asleep until we reach the next station and doesn’t crap its pants or anything, life will be good.
The mother flips the brake switch on the wheels and starts to push the stroller towards the door.
“We can’t take that with us,” Mr. Take Charge says.
“Whadya mean?” the mom asks.
“It’ll never fit on the walkway.”
“Well what am I supposed to do with it?”
“You’ll have to leave it here.”
“That cost money.”
“Look, I’m sure the Metro will get it back to you, or they’ll pay for a replacement. But that’s an issue for later. Right now we want to get out of here as quickly as we can.”
“How far we gotta go?”
“I don’t know,” Mr. Take Charge says. “A mile, maybe two.”
“I can’t be carrying my baby that far. And I got a diaper bag, too. That’s heavy.”
Before the mother can lose all sympathy with us, the woman who took the younger daughter intervenes. “Sarah, get her diaper bag from the stroller.”
A teenage girl steps up. The mom helps her dislodge the diaper bag from underneath the carriage. No wonder she didn’t want to carry it—it’s big enough to be suitcase. The mom gathers a few other essentials from the carriage, tosses them into her purse and hands it to Sarah. Sarah doesn’t look too happy at being treated like a bellhop, but she holds her tongue.
“Okay, everything settled?” Mr. Take Charge says.
“Just a second.” The mom unbuckles her baby from the carriage and lifts it out. Of course doing so wakes it up and it starts screaming. She boosts the kid onto her shoulder and gestures for Dallas to open the diaper bag. She rummages inside and comes out with a bottle, but the kid refuses to take it and keeps crying.
“So what is the plan?” That’s the old man, the one who shushed me and Kenzie. “Why’d you drag us all the way back here?”
Mr. Take Charge looks at him like he’s an idiot. “We get off.”
“We coulda done that from the front of the train. And we wouldn’t be stuck at the end of the line.”
“We aren’t going to be stuck at the end of the line. We aren’t going with the rest of the crowd. We’re heading back to Foggy Bottom.”
“Why would we do that?”
“I-I’m not—I-I think, uh, we’re, uh, closer to the Virginia side,” the driver says.
“If we go with the main group, we’ll be forever in getting to the next station,” Mr. Take Charge says. “We split off, we can move faster. But there’s only one way we can split.”
Silence. A lot of people aren’t convinced by his logic. I’m not convinced.
“Look, you don’t like my idea, you’re free to do what you want, but I’m headed to Foggy Bottom.” And with that he steps out to the emergency walkway.
“Who the hell cares about him?” the old guy says, and this earns some nods around the car, but the agreement isn’t universal.
“I’m going with him,” the man who took Dallas says. He looks to Kenzie. “You want us to leave your friend here?”
She doesn’t answer at first. The pause is so long I wonder if she heard the question, but then she says, “No, let’s ... let’s go with that guy.”
She looks to me.
“Um. Yeah. Okay.” The words are out before I’ve have time to think them over. Wait. Why did I agree to that? I don’t wanna go back to DC. If the whole Metro system’s shut down, I’ll need to call my parents for a ride. Easier if I’m on the Virginia side of the river.
But it’s too late now. I can’t bring myself to contradict what I’ve just said.
“Okay then.” The man and his son lower Dallas to the floor. The emergency walkway outside isn’t nearly wide enough for them to drag her between them, so they’re going to have to come up with another arrangement. The man looks at her thoughtfully for a moment before saying, “Okay, I guess we’ll have to do it this way. He crouches down with his back to Dallas. “Get her up onto my back.”
We help his son move her. The man wraps his arms under her thighs to hold her in place, but that’s only good for her lower half.
“You’re going to have to hang onto me, honey,” he says. “Can you do that for me?”
“Wha? Yeah, hmm. Sure.”
Not very reassuring. But she slips her arms around his neck.
“Not too tight,” the man says.
The man hoists himself up. He walks with a stoop, not so much from Dallas’s weight, but to keep her from sliding off him if she loses her grip. She looks like she’ll stay in place, but he tells his son, “Stay behind me and catch her if she starts to fall.”
The boy nods.
By now we’re the last ones on the train. We step out onto the escape platform.
As soon as we’re through the door, we’re hit by stagnant, muggy air. You’d think being underground, it’d be cool, what with heat rising and all, but no, it’s not much more than a couple degrees cooler than the surface, and it’d been over ninety when I got off work. There’s not even a hint of airflow down here.
Our group—what’s left of it, anyway, a little more than half I’d say—is already moving off towards DC. The rest have joined the line that’s making its way towards Virginia. Well, supposedly making their way towards. I don’t see any sign of movement. Maybe Mr. Take Charge is right.
The man and his son let me and Kenzie go ahead and we hurry to catch up with the rest of the group.
The walkway’s about as wide as a suburban sidewalk, but with a ledge on one side and a curving wall on the other, it’s not made for two to walk abreast. We have to move single file, and once we catch up to the group, our pace slows to that of the slowest walker—the woman with all the kids.
There are lights every ten yards or so, but only a quarter of them are hooked up to backup power. Even if they were all operational, they wouldn’t provide as much illumination as you get in a movie theater before the show, but right now they’re little better than nightlights. Most people have their phones out. Unfortunately mine’s an old flipper, doesn’t have any sort of flashlight feature, so I have to go off the reflected glow of Kenzie’s and the guy behind me.
The walls aren’t entirely smooth, either. There are conduits running along the tunnel, and occasionally we have to squeeze around a junction box or other obtrusion.
And then there are the cracks. Most are tiny, probably superficial, but we pass a couple that look like serious structural damage. No more leaks, though. That’s good. By the looks of the water coming in, it’ll take hours, maybe days for the tunnel to flood. We should be good getting out of here.
Assuming the leak doesn’t get worse. If the roof should crumble completely, the whole Potomac’s gonna come rushing in. It’ll fill the tunnels until it reaches the level of the river. How high is that, though? Enough to flood the entire Metro system? The trains run underground, sure, but the ground rises up beyond the Potomac, so maybe the stations aren’t as deep as the river. Maybe. I don’t know.
Whatever the case, we should get out of here as quick as we can.
But without any landmarks, there’s nothing to judge our progress by. I try counting the tunnel lights, but I get the numbers fouled in my head after ... a quarter mile? Something like that.
Does me no good, anyway, since I have no idea how far we have to travel. The trip between Rosslyn and Foggy Bottom usually takes three or four minutes, so it can’t be more than a couple miles, and we’re only going half that far. If we were walking down a city sidewalk, it wouldn’t be more than twenty minutes, twenty-five if the lights were against us. But our actual pace seems slower than that. Might be an hour before we get outta here.
Well, it would be if we could keep walking nonstop
—the sound of the baby crying hits me about two seconds before the stench.
The woman with the baby stops abruptly, causing the rear of the line to stumble to a halt. I nearly plow into Kenzie and have to brace myself on the wall to keep my balance.
The front of the line keeps moving, oblivious, until somebody calls out, “Hey, wait up.”
Mr. Take Charge holds up his hand—I can see it because he has his cell phone in it—and waves for a halt.
“What’re we stopping for?” That’s the voice of the annoying old guy. Damn, I was hoping he ditched us for the group heading towards Rosslyn. The way he was talking, you’d think he would’ve, but I guess the sight of the crowd deterred him.
“I gotta change diapers,” the mother shouts, way too loud for the enclosed space.
“C’mon, we can keep going. They can wait for her and catch up, or go around or whatever.”
“No, it’s best we stick as a group,” Mr. Take Charge says.
“Who’s got my diaper bag,” the woman says.
“Here.” The girl—Sarah, I think her name was—is about five places behind the woman in line, has to squeeze around people, which isn’t easy with her load.
The woman sits down on the ledge and sets to removing her kid’s diaper. Sarah drops the bag next to the woman and crosses her arms and waits.
While we’re stopped, Kenzie leans against the wall and starts digging through her purse. She pauses over a vape pen, decides against using it down here. Probably for the best. I’m sure someone would pitch a fit. Instead she comes out with a pack of gum.
“Sure.” I take a strawberry scented cube from the pack and unwrap it, pop it in my mouth. I stick the empty wrapper in my pocket, but Kenzie drops hers on the track, which gets a dirty look from the next woman in line, Sarah’s mom.
Kenzie doesn’t even notice. “Anyone else?” She offers the woman a piece.
“No, thank you.”
Kenzie extends the pack down past me to Sarah’s dad. He shakes his head, but his son says, “I’ll have one, thanks.”
I take the pack and pass it down to him.
“I could really do with some lunch,” Kenzie says as she chews.
Sarah’s mom switches the toddler to her right hand and checks her watch. “Closer to dinner time by now.”
“Slept late,” Kenzie says. “All I had for breakfast was a Pop-Tart.”
I nod. I hadn’t even had breakfast this morning, and just grabbed a bag of chips from a vending machine for lunch. I wonder if there’s anything good in Foggy Bottom? And more importantly, cheap. I know that’s State Department territory, George Washington University, too, so hopefully there’ll be some little bistro or deli where I can grab a sandwich while I wait for a ride.
The tunnel is silent except for the wailing kid. I don’t know if I’d call it eerie per se, but I feel like we’re in a bomb shelter during the Blitz. Certainly not pleasant.
Somebody needs to break the silence.
But it doesn’t seem that anyone’s in the mood to talk right now, not even the people who know each other. Come on, a little idle chit-chat, anything for a semblance of normalcy.
I can’t stand it any longer. I look to Kenzie. “You have any way to get home?” I speak softly, don’t want the whole tunnel to hear, but I guess I overdo it because she looks at me like she didn’t catch my question.
“You guys, uh—” I point towards Dallas, who’s still clinging to the guy’s back “—you got a way to get back home. Or wherever you’re going.”
She sighs, shakes her head. “Gonna hafta call around, see if we can get anyone to come get us. Either that or splurge on an Uber. Don’t even wanna think what that’ll cost.”
“Where you gotta—”
I was going to ask where she lives, maybe offer her a ride with my parents—super lame, I know—but I’ve barely started talking when Sarah’s mom plows in with, “Isn’t there another way to get to Virginia on the subway? I thought there was on the map.”
Kenzie looks blank, so I answer.
“You’d have to go the long way around, but yeah, there’s another crossing over by National Airport. But that’s assuming the problem’s local. For all we know, the Yellow Line’s down as well. Could be the whole system.”
“Maybe they’ll have buses we can use,” Kenzie says. “Don’t they do that sometimes?”
“Yeah, they might set up a transfer to the next working station.”
Down the line, the woman with the baby finishes changing diapers. She holds the dirty one at arm’s length, not sure what to do with it. The stench is something terrible, so it’s not like she can bring it along with us. So she tosses it across the track.
“Hey,” the driver says, “that’s not where you, um, you’re not supposed to… that’s not a trash can.”
“Yeah?” the woman says. “Why’oncha go pick it up.”
The driver doesn’t respond.
“Okay,” Mr. Take Charge calls. “If everyone’s ready, let’s get a move on.”
He starts forward again. Several people have sat down on the ledge or taken off backpacks, and it takes several moments for the entire column to get rolling.
We only have to go a little ways before we reach the upslope, which signals that we’re out from under the Potomac. Doesn’t necessarily mean we’re clear of danger, but it’s a welcome turn.
That’s what I think at least, but once we start upwards, I quickly change my mind.
I’d spent enough time sitting down on the train that my feet haven’t been doing too bad, but now the soreness returns. I have on the comfiest shoes that fit my job’s dresscode, but they’re still not intended for walking across anything but a level surfaces. And that’s when they were new. The soles have worn so thin that the air cushions are exposed in spots and make a tssst-tsst noise when I walk.
As we climb higher, the backs of my shoes start rubbing against my heels. Even with socks on, I’m gonna have a blister. But not like I have a lot of options here. I’m sure not gonna walk barefoot. Besides, we can’t have much farther to go. Once we reach the top of the climb, it’ll be a straight shot to Foggy Bottom and I can take a seat and rest.
Well, that’s how things should go. But I should’ve realized already, today’s not a day when things are gonna go to plan.
Up ahead I can see the bend in the slope where the track levels out again. People are disappearing over the lip. Not much farther.
But then the line stops dead.
“Hey, what’s the hold up?” somebody calls.
“Can anyone see?” Sarah’s mom asks.
The people highest on the slope should be able to get a glimpse, but they’re not communicating back to us.
“You think the roof collapsed?” Kenzie says.
“If it did, we’d just turn around and go the other way,” Sarah’s dad says.
“Maybe they think they can clear the rubble?” his son suggests.
“Too dangerous. We’d be better off turning around.”
“What about another train,” I say. The Blue and Silver Lines use this tunnel, too.
“Hmm, could be. Can’t be in working order, though, otherwise we’d see the headlamp beam.”
Before we can speculate further, Mr. Take Charge appears at the top of the slope. But he’s not on the walkway; he’s down on the tracks. “Okay, folks, we’ve got a bit of an issue, but nothing to worry about. We’re gonna hafta get off the walkway for a bit and proceed down the track. Careful of the rails, you don’t wanna get electrocuted.”
“What’s the problem?” somebody calls.
“You’ll see when you get up here. But it’s nothing too big.”
We all look at each other. What the hell does that mean?
“Well, nothing to it but to do as the man says,” Sarah’s dad says. He leans back and sets Dallas on her feet. “Hey, honey, you’re going to have to stand on your own, you think you can do that?”
Her feet touch the walkway and her legs don’t buckle. That’s a good sign. Her arms unwrap from the man’s neck. “We there?” She sounds drunk. Or maybe stoned. I’m guessing stoned.
“Not yet.” He gestures for his son to hold her upright, make sure she doesn’t totter over.
Kenzie and I sit down on the ledge and lower ourselves to the trackbed. Once we’re down, we help Sarah’s mom get the other woman’s toddler down. The kid’s been behaving herself pretty well, but balks at having to get off the walkway.
“It’s okay hon,” Sarah’s mom tells the girl and ruffles her hair. “If you’re a good girl, I’ll get you a piece of candy.” She pulls a pack of Mentos from her pocket.
The little girl smiles and let’s us get her down without any trouble.
Down the line, Sarah jumps off the ledge, earning a rebuke from her mother. The moment her mom turns away, Sarah sticks out her tongue.
“Here,” the woman with the baby calls down. She lowers the kid to Sarah, then sets about helping her oldest daughter down. The girl takes one look over the ledge and says, “Uh-uh, I ain’t goin’. That’s too far.”
“Shut it,” her brother says and cuffs her upside the head. His mom yells something at him, but he doesn’t listen. Instead he leans back against the wall and pushes himself off. There’s not any room to get up to speed, but he manages a nice leap, landing nearly on the other side of the tracks. He smiles over at Sarah thinking he’s hot shit.
Meanwhile Sarah’s dad has clambered down and his son is helping Dallas. I go over and give them a hand.
Once her feet touch the ground, she glances around groggily. “What happen’d the train?” Her eyes latch onto me. “You’re not ...” her words trail into a mumble.
“C’mon.” Kenzie puts an arm around her. “Only got a little ways to go.”
Kenzie leads her friend up the slope.
Sarah’s dad takes a pack of tissues from his pants pocket and pulls one out, dabs at his forehead.
“Don’t overexert yourself,” his wife says.
“I’m fine. Feel better down here than while we were schlepping around the city.”
“Tourists?” I ask.
“Yeah.” He nods. “Out from Chicago—well, Shermer, if you want to be exact. I’m Dan, by the way. Dan Schorr. This is my wife Susie, my son Sam, my other son—where’d Zac go?”
Mrs. Schorr looks down the track, “Isaac, get over here. Sarah, you too.”
The younger son is over with Sarah and Mr. Show Off. The two Schorr kids snap to attention and trot over to their parents.
“Yeah mom?” Isaac says with the fake smile of a kid who knows he can pull one over on his parents with very little effort.
“Don’t go wandering off. Stick tight to us. You too, Sarah. I know you’re helping that woman, but don’t get yourself separated.”
“Yeah, mom.” She gives me a please don’t judge me by my parents look.
“Here.” Mr. Schorr steps behind Isaac and digs into the heavy backpack he’d foisted on his son. He comes out with a giant water bottle, about one third full. “Not very cold, but it’ll do the trick,” he says after taking a swig. He wipes the top and hands it to me.
“Thanks.” I push my gum to the side of my mouth and take a quick drink. It’s more than a little warm, but he’s right—it’s good to have. I wipe it down and offer it around.
“I’m good,” Mrs. Schorr says.
Sarah waves it off, the two sons shake their heads.
“Let your girlfriend have some,” Mr. Schorr says.
“My girl—no, I met her about thirty seconds before I met you.”
“Oh. Sorry. Well, you know what they say about assumptions?”
I’ve never seen three people roll their eyes in unison before, but his kids manage.
“When you assume, you make an ass out of you and me.” Mr. Schorr not only feels he has to finish the statement, but he actually laughs. Realizing nobody else finds the line funny, he turns serious. “Well, you know when a guy helps out a pretty girl in a situation like this ...”
Mrs. Schorr elbows him. She shines a smile on me. “Why don’t you see if anyone needs water?”
I head to the woman with the baby first, figuring if anyone could use water, it’d be her, but she has her hands full with the sprog. “Fantasia,” she calls over to her eldest daughter. “Take some water.”
“Not thirsty.” The girl’s probably ten, eleven, right on the divide between elementary and middle school. Her hair’s done up in short, tight braids that are capped by those ties that have the colored balls on the end. Her hair clacks when she shakes her head.
“Girl, you best be drinkin’ now, cuz I don’t know when we be gettin’ home.”
Fantasia accepts the bottle and pretends to drink, but I don’t think any gets in her mouth. I offer some to her brother; he takes a long pull.
“Don’t be guzzlin’,” his mom warns. “Other people gotta drink that.”
“We ain’t gonna be down here that long.”
“Don’t you go sassin’ me, boy.”
The boy shoves the bottle back at me and walks away.
I move up the slope. Maybe half the people accept a drink. Some have their own water stashed in bags and offer to add it to my bottle, but I decline. Bad enough we’re all sharing one bottle, but at least the Schorrs seem like okay people. Some of the other passengers, though ... like this one guy, looks like his clothes are patched together from stuff Good Will threw out. His cheeks are crusted with dirt, and you can’t help but notice the stench of ass when you get within ten feet of him. When I offer him water, he tells me he only drinks natural “heaven water” that he purifies with the power of Christ. He shows me a bottle that looks like it has sea monkeys floating inside and offers to share it with the rest of us.
I move on.
Once I get to the top of the slope, I find out what the problem is—the tunnel really did collapse.
“Collapse” is the wrong word. It implies the roof came down under its own weight. If that were the case, we’d’ve just turned around and headed for Rosslyn.
This is different. It looks like a bulldozer crashed through the tunnel wall. From the outside. There’s rubble strewn halfway across the tracks. Dirt, too, and rocks. The tunnel isn’t completely blocked—the emergency walkway is covered in chunks of concrete and stone, but the trackbed itself only requires a vigilant eye to navigate.
Still, everyone’s gathered around the hole, rubbernecking.
“Hey,” I say to Kenzie. “What’s going on?”
I offer her the bottle, but she declines.
I squint at the hole, trying to see into its depths, but there’s too much darkness in there. It might only go back a few yards, or it could go on forever. But I know this much—no earthquake made this. This is something that was dug.
“I don’t like this,” Kenzie says. “I wanna get outta here.”
“Yeah.” I look around. “Where’s your friend?”
Kenzie nods over to the other side of the tunnel. Dallas is leaning against the far wall, puffing on an e-cig. The tip lights up briefly as she inhales. When she exhales, the vapor passes in front of a tunnel light and glows a sulfurous orange.
We go over and I offer her some water. “Thanks.” She takes a long drink and wipes her mouth. “That’s good.”
“You think you can walk?” Kenzie says.
“I’m not that hungover.”
I could point out that she had to be carried off the train, but I don’t see any point in arguing. “Well, I don’t see any harm in going ahead of the others. Not like we can get lost or anything, right?”
“Dude, don’t jinx us,” Dallas says.
To Be Continued...
«I’m gonna melt,» Hana-chan says.
«Too hot!» Rinko says.
«I liked the museum better,» Emi says. «Air conditioning!»
I agree, but as the senior here, I have to project strong confidence. «If you guys don’t quit complaining, I’m gonna declare an emergency dance rehearsal.»
«Here?» Rinko says.
I spread my feet and point at the marble floor of the temple. «Right here, right now.»
«In front of all these people?» Emi says.
«We were at Budokan last month.» This is the thing I dislike most about Emi. She acts like she doesn’t want any attention, as though a girl would join an idol group otherwise. She thinks acting modest will get her more support from fans, but she doesn’t realize that everyone can see how insincere that modesty is. That’s why she languishes in the lower half of the popularity polls.
«That’s different,» Emi says. «We didn’t have a god watching us at the concert.» She points at the statue that’s towering over us.
«Who is he anyway?» Hana-chan asks. «Thor? Zeus?»
«I could use some juice,» Rinko says.
«No comedy routines!» I do a pretend karate chop upside her head. «And you guys don’t recognize George Washington? The most important American ever?»
«Is that who he is?» Emi says. «I thought he was better looking than that? And didn’t have a beard?»
«All generals have beards,» I say. «You think they have time to shave on the battlefield?»
«Actually, that’s Abraham Lincoln,» a young woman speaks up. She’s an incredibly pale shade of white, with hair the color of flames. I’ve seen red haired actresses in movies before, but I’ve never seen a shade this vivid in person. I can hardly believe it’s real, but I asked her last night and she swore to me it’s her natural color.
«The Washington Monument is down there.» She points towards the marble tower further down the Mall.
«I’ve been meaning to ask,» Hana-chan says, «is that supposed to be a giant dick?»
«Hana!» Emi and Rinko cry out.
«Ah ... I do not know,» the red haired woman says. Her name is Linda, like that old Blue Hearts song. When I’d found that out, I’d asked Akamatsu-san if we could include it in our performance on Saturday. He’d been against it—we were at an anime convention, he said, so we should focus on songs we’d done for soundtracks—but I’d convinced him in the end. After the concert was over, I’d gone to find Linda-san and get her reaction, but it turned out she’d left before we went on stage.
I point towards the monument. «Can we go see it?»
Linda-san checks her watch. «We have time, but ...» She looks at the wide stretch of grass between us and the tower. There are tens of thousands of people out there—hundreds of thousands, maybe. I know Akamatsu-san had told our guides to keep us away from the protests, but I don’t see what’s so dangerous. Everything looks peaceful. The police are watching silently from the sidelines, making no move to interfere.
«Come on,» Hana-chan says, «I wanna say I touched the world’s biggest dick.» Without waiting, she runs down the temple steps.
«Ah-ah-wait!» Linda-san says and runs after her, then stops and looks back at us. «I guess we’re going?»
We follow her out of the marble building, which really does look like a temple to some ancient god. The moment we’re out in the sun, the temperature jumps five degrees, which is amazing considering it was as hot inside as I’ve ever felt before, even that time I’d had a photo shoot in Okinawa in August. Who knew America would be this hot? I’d thought it was mild like England and France.
There’s a vast pool between the Lincoln temple and the Washington Monument, and I wish I could dive into it, even for a few minutes. I’d seen that in a movie once, a woman in a white dress and a soldier wading through the pool as a crowd of protesters cheered. But even with the temperature over thirty-five degrees, nobody is going near the water, so I guess that’s not allowed in real life.
We try to stick close to Linda-san, but there are so many people about that we quickly fall behind. I’ve never seen a protest like this—I doubt Japan’s ever had anything like this, even back in the ‘60s. It’s not simply the number of people that’s amazing. Look at their placards. Many of them are homemade, but people clearly put a lot of work into them. Many of them sport hand-drawn illustrations. The talent is variable, but the effort is evident. I don’t understand most of the illustrations, but I see more than a few anime characters.
The spectacle is heartening. I’d been afraid to come to this convention given everything that’s happened in America recently. The people I met at the convention had seemed nice, but the whole time I couldn’t help but wonder how many of them supported that person. Seeing so many people turn out to protest him is a relief. Maybe America isn’t a total waste.
But couldn’t they find a way to get rid of him?
I’d barely had a chance to glance at the news while I was at the convention—I’d tried to watch an American news channel on Friday night, but in addition to only understanding one word in ten, the people on the discussion panels were all incredibly rude and spent their time shouting at each other. I’d had to turn it off after a minute. I’d glanced through the Asahi Shinbun on my phone this morning, but I hadn’t had a chance to do more than read the headlines. What I saw did not look good. The Americans were worried that North Korea had a nuclear missile that could reach their Pacific coast, but if that’s true then all of Japan is in range as well. If anyone does something rash, we’ll be the first to suffer.
Hana-chan had told me over breakfast that she’d had a nightmare where our plane was almost back to Tokyo when the pilot came over the intercom to announce that Japan no longer existed and we didn’t have fuel enough to reach another destination, we’d have to ditch in the ocean and paddle for Guam. I’d laughed and told her she was being ridiculous—that’s my job as her senior, of course—but the dream didn’t sound ridiculous to me. Especially not now, surrounded by all these people who clearly believe something awful is on the verge of happening.
“Excuse me.” A blonde woman stops us. She has a large stack of fliers in a messenger bag. She offers one to me and spouts off a long spiel, though after those first two words I can’t understand a thing she says.
“Ah ...” My mind dredges up half-remembered high school English lessons. I’d joined the group halfway through my second year, and though Akamatsu-san hired tutors for us, we hadn’t had one for English—Akamatsu-san told us we’d be better off learning Chinese or Tagalog since his expansion strategy for the group lay in Taiwan and the Philippines. After a few seconds, the proper words come to mind—“I ... not English speak”—though I’m not sure about the word order. That was the part that had always tripped me up. English does everything backwards.
The woman laughs and says more stuff I don’t understand. She waves another woman over, and the next thing I know, they’re taking pictures with us. I don’t think they recognize us or anything. They just think pictures with Japanese tourists would be cool. I don’t get it. We’re hardly the only Asians present—that was one of our biggest shocks about America, in fact. I’d always thought Americans were almost all white—that’s what you see when you watch Hollywood movies, but the truth is so much more diverse.
We pose with the women for a bit, shooting V signs at the camera and striking poses. It’s like a handshake event with fans, only less creepy.
The women finally let us go, and as they’re waving us goodbye, I notice one has a tattoo on the underside of her arm. She’s so pretty. Why would she mark herself up like a gangster? I’ve seen a lot of tattoos this weekend. People don’t try to hide them—they have them in places where they’ll be visible even in business suits. It’s crazy.
We’re almost to the Washington Monument now. I scan the crowd for Linda-san and Hana-chan, but I don’t see them anywhere. However--
—another Japanese woman comes running over to us.
«Michi!» Emi and I shout in unison. We throw our arms around her.
«Eh? Who’s this?» Rinko says.
Oh, that’s right, Rinko hadn’t been in the group back when we worked with Michi. «This is Ogawa-sensei. She writes anime.» She’d been the head writer for the show we’d done a few years ago. It had been one of Akamatsu-san’s crazy plans to expand our audience, and he’d dictated most aspects of the show. To be honest, his ideas were pretty bad—we were magical girls who flew mecha from a secret base beneath a bakery where we worked, and we were also pop idols on the side. But I thought Michi had done a brilliant job taking those ideas and turning them into something watchable. When you saw the show, the ridiculous premise seemed rational, and our characters ended up being very deep. But Akamatsu-san didn’t like her work. He said she’d made the story too dark and grim, and even though people at the studio told us it had been a success, we had a different writer for the second season. He’d made everything much sillier and inserted a ton of lezzie subtext into the story, not to mention gratuitous fanservice. I couldn’t even let my mother watch the Blu-Rays because they come with uncensored scenes, including one where my character has her clothes ripped off in a battle and has to fight naked, with my breasts bouncing around in ways that would be simultaneously painful and impossible in real life.
Despite that, the second season had bombed and we hadn’t done a third.
«Ah.» Rinko nods with feigned interest. She doesn’t watch any anime besides Sazae-san and Chibi Maruko-chan.
I notice a man standing behind Michi, watching us with a bemused expression on his face.
«I’m sorry.» I bow to him. «I’m Mizuhara Madoka .»
«Yeah, I recognize you,» he says with rude casualness.
«Ha-ha-ha. Don’t mind him. This is Uragawa-sensei,» Michi says. «He writes anime like me.»
«Pleased to meetcha,» he says and bobs his head.
«Pleased to meet you,» we say back. Emi bows low when she does, and Uragawa-sensei takes the opportunity to look down the front of her shirt.
«Uragawa?» she says. «Would that be the Uragawa-sensei who wrote Magical Girl Death God?»
His face brightens. «That would be me, yes.»
I kinda recognize the title—there’d been signs for it around Tokyo earlier this year, and there’d been people at the convention dressed up as characters—but it had looked too gruesome for me. When I watch anime, I like it to be bright and happy, with a good love story.
«That show is soooo good,» Emi says.
«Nah, nah, you’re embarrassing me.» He isn’t the least bit embarrassed.
«But the ending—I really thought you were going to kill everyone.»
«Yes, that was brilliant,» Michi says. «Even I didn’t think you were going to go with a happy ending at the last second.»
Uragawa-sensei smirks. «It’s all about payoff. If you rack up a big enough body count early in the story, you can stay your hand at the end and the audience will be grateful to you.»
«That is exactly why I don’t like that kind of show,» I say. «I don’t think characters should suffer for the sake of shocking the audience. That kind of attitude reduces the story to a clockwork.»
«Really?» he says. «That’s an interesting point of view. I can’t say that I disagree, but I’m not a good enough artist to do otherwise.» Something about his modesty, though, strikes me as fake. He doesn’t really believe what he’s saying. He’s trying to deflate my criticism. «So what are you ladies doing out here alone? I didn’t think your master let you out unsupervised.»
«You’ve been reading too many tabloids,» I say. It’s true that our group works under strict rules of behavior, but Akamatsu-san trusts us to obey without setting chaperons on us. I mean, who’s going to break the rules after what happened to poor Saki?
«Maybe, maybe,» he says.
«We were looking for Hana-chan, though,» Emi says. «You didn’t see her anywhere?» she asks Michi.
«Hmm, no, I don’t think so.»
«Our translator ran after her,» I say. «She’s a woman with flame-colored hair.»
«Oh, her,» Uragawa-sensei says.
«Our translator ran into her right before we saw you guys. They said they were going to get tickets to go in there.» Michi points to the Washington Monument.
«You can go inside?» I’d assumed it was solid stone all the way through.
«Oh yeah,”» Uragawa-sensei says. «C’mon, I’ll show ya.»
He leads us through the crowd of protesters. It’s not easy. The throng is even thicker here than by the Lincoln temple. But at last we reach a low stone building. There’s a good sized crowd inside, all waiting in line, though on the bright side the air conditioning is blowing on full blast.
«Took you guys long enough,» Hana-chan says.
She’s in line with Linda-san and a man we don’t know.
«I finally found her,» Linda-san says.
«I tried to get into the Monument, but they kept pointing me over here,» Hana-chan says.
«I am terribly sorry about all this.» I bow my head to the translators who’ve been inconvenienced by Hana-chan’s behavior.
«It’s no big deal,» Linda-san says.
«Thankfully there’s not much demand for tickets today, otherwise we could be here all day,» the second translator says. «I’m Mike, by the way.» He offers us a hand to shake.
I introduce the rest of our group.
«Ah, you’re those idols, aren’t you? I saw your concert last night. It was awesome.» He says the last word in English, but he gives it a Japanese pronunciating—ah-sa-mu. It’s kinda cute the way he says it.
The line inches forward. After a few minutes we reach the desk and get tickets for everyone.
«I don’t wanna do this,» Rinko says as we head back outside. «I like the air conditioning.»
«Why is it so hot?» Emi says.
«They say George Washington picked this as the capital because the summer weather is so horrible,» Mike-kun says. «In fact, this whole area used to be a swamp until they drained it.» For some reason that makes him chuckle. «The idea was, with the weather so hot during the summer, Congress would only meet for a few weeks in the spring and fall, and so they would have less chance to make trouble for the country.»
«Unfortunately George Washington didn’t predict air conditioning,» Linda-san says.
«Though even AC can’t make DC livable in August,» Mike-kun says. «Even nowadays, Congress goes on recess for the entire month, and everyone who can afford a vacation leaves town. At least normally.»
Linda-san nods and says something in English that I can’t understand. «Sorry,» she adds. «I said, this isn’t normal.» She waves around her to indicate the vast crowd assembled on the Mall. I should hope this isn’t ordinary.
We reach the Monument again, and right on time for a tour to start. A guide leads us through a stone hall that feel like something from ancient times, though he tells us—through Linda-san and Mike-kun—that the Monument was only finished in 1888. That’s Meiji Era. That’s after the Black Ships arrived in Tokyo Bay—and those were steam-powered. Compared to, say, Himeji Castle, this place is brand new.
The tour guide shows us to an elevator—I’m so glad there’s an elevator; I was afraid we’d have to climb a thousand stairs to reach the top. On the way up, he relays various facts about the Monument’s construction and history. He tells us it’s the tallest building in Washington, and a city ordinance prevents anything taller being built. Ah, so that’s why the city seems so flat. When we were coming into Washington on Thursday evening, I’d seen a cluster of vast towers and thought that must be the city, but Linda-san had told me that was merely a suburb. When we crossed the bridge into Washington, I’d been disappointed. For the capital of the most powerful nation on Earth, it was less imposing than even Sapporo.
The elevator stops and we get off. The room at the top of the Monument is ... underwhelming. It’s a dingy stone room. Because it had been built before electricity became common, the lights in here were added later, and there’d been no effort to cover up the power conduits, nor the vast air ducts that run up from the floor and across the ceiling. I suppose I should be grateful for their presence, but the fact they make the place feel like a warehouse undercuts the grandeur of the location. Shouldn’t a towering monument like this be a sacred place? Shouldn’t there be an atmosphere of holiness?
«Oh, look at that, Madocchi!» Emi exclaims. She’s standing at one of the windows.
I go over and peer out. The entire Mall, from here to the Congress building, is visible, and much beyond that. There are so many people crowded below us, the ground isn’t even visible. Forget hundreds of thousands. There might be a million people down there.
«You know,» Michi says, «if Congress had two domes, they’d look like boobs.»
«But this monument looks like a giant dick, so would that make the city a futanari?» Hana-chan says.
«Hana!» Rinko says.
«Hmm, moé personifications of world capitals ...» Michi says. «I need to remember that. What studio should I pitch it to ...?» I have a feeling Hana-chan’s words have unleashed something unfortunate upon the world.
I move to the next window. Uragawa-sensei and Mike-kun are there, along with a couple Americans who were in our tour group. I can’t get a good view with all of them in the way, but I glimpse the White House. It’s smaller than I expected, only about the size of an apartment building—and not even a large one. Hard to believe that so many of the world’s problems come from that little place.
As though he’s reading my mind, Uragawa-sensei says, «If I had a rocket launcher right now...»
Mike-kun looks around nervously to see if anyone heard that comment, but then he remembers that Uragawa-sensei is speaking Japanese. A good thing, too. I wouldn’t want to be arrested by the American police.
I make my rounds to the other windows. One shows the Lincoln temple, so I pass that by quickly, but the fourth reveals a second temple that we hadn’t seen on our walk. It looks much like Lincoln’s, but smaller, and the roof is domed rather than boxed. It sits on a small island that shelters a placid pool between the city and river.
«That’s the Jefferson Memorial.» Linda-san comes up beside me. «It’s not as popular because it’s so far out of the way. They say he gets lonely out there.»
«Yeah, he wrote the Declaration of Independence, bought the Louisiana Purchase, and invented the dumb-waiter.» Linda-san snickers. This seems to be some sort of joke, but I can’t understand it.
To change the subject, I ask, «Are those cherry blossom trees?» I thought I’d seen some around the Lincoln temple, but I hadn’t had a chance to look closely.
«Yes. Your country gave them to us as a present a hundred years ago. There’s this huge festival every year when they bloom.»
Ah. I could imagine what it’d look like with the entire riverside blooming in pale pink. Why did the convention have to be in August? Why couldn’t it be in April?
Having taken in all the sites, Linda-san and I wander down a flight of stairs to a museum. Compared to what I’d seen in the Smithsonian earlier, it’s a paltry collection, and we’re well bored before the rest of our group is ready to leave.
«Can I ask you something?» Linda-san says.
«Being an idol ... do you like it?»
«Being an idol is wonderful. We bring joy to fans all over Japan, and even around the world. Making so many people happy is a tremendous honor.»
«Is that what you’re told to say?»
«I don’t hate it. I’d never get to see America if I weren’t an idol. I never got good grades, and even if I did, my family wouldn’t’ve been able to afford even a halfway decent university. If I hadn’t lucked into this, I’d probably be stuck as a part-timer at McDonalds or a convenience store or something. Maybe if I got lucky, I’d meet a salaryman and get married. But the area I lived in, an auto-mechanic or a truck driver would be more likely. But now I don’t have to worry about any of that. I travel around Japan performing, make a couple trips overseas each year, and in between I do guest spots on TV dramas, or small roles in movies. It’s a good life.»
«But what about the ... I mean, I’ve seen stories.»
«Yes. And the girl from C-breeze. Midori Aoyama?»
Saki had been one of the founding members of our group. For the first five years, she’d won every single popularity poll we held. She’d been Team I’s leader. When she got offered parts in movies, they were leads. She’d even had a TV series built around her.
Then one day a tabloid reporter got a scoop that Saki was dating the son of an executive at our record company. Officially our group had a ban against romance. Our fans expected us to remain “pure,” and even being seen in public with a guy could cause a scandal—when pictures of Kyouko eating lunch with a young man had appeared online, she’d had to go on TV to explain that he was her brother.
Unofficially, Akamatsu-san and the rest of management understood it was ridiculous to expect us to eschew all romance, especially those of us in our twenties. As long as we kept everything out of sight, we could have boyfriends.
But if any of us got caught, we were on our own. In the eight years I’ve been in the group, we’ve dropped a dozen members who got caught with boyfriends. Most of them had either been understudies or just promoted to full membership, so they didn’t create huge scandals.
But Saki was different.
She was the face of the group.
When fans found out about her boyfriend, they didn’t think she was one bad apple. They felt the entire group had betrayed them. If Saki could have a secret lover, then all of us were probably sluts. Fans started believing the worst conspiracies from the Internet, like the one that we worked as prostitutes on the side, servicing yakuza, politicians and famous actors. A sports paper published an outrageous story claiming that three members of our group—unnamed, but clearly Saki, myself and Hana-chan—had been paid to sleep with a certain (also unnamed) American actor while he was in Japan to promote the latest installment of his spy series.
Akamatsu-san hadn’t had much choice. The only way to save the group was to fire Saki. And not just fire her, but to repudiate her. He’d gone on a morning show to make the announcement. He used polite words, but the statement had been anything but polite. Saki had betrayed the group with her behavior. What she’d done was a slap in the face of every single member. Effective immediately, she was no longer a member, and our latest single, featuring Saki as the lead singer, was being recalled.
We weren’t even able to throw a farewell party for her. Me and Kyouko and Hana-chan went to see her the next weekend, but her boyfriend, who was staying with her to give her support, had told us she’d gone home to see her parents. That was the last anyone saw of her. Her mom said she never arrived home, and her bank cards didn’t show the purchase of a train ticket or a withdrawal large enough to pay for one.
Two weeks later, a group of kids doing radio calisthenics at a beach had found her body washed up on the shore. The coroner later concluded she’d drowned herself in the Sumida River and been carried out to Tokyo Bay.
There were a few editorials against the idol industry after that, and we saw a drop off in new member applications for a while, but Saki’s death was gone from the headlines in a few days, replaced by the next scandal du jour—a popular actor busted for drug possession, the daughter of a prominent Tokyo politician being linked to a “compensated dating” service, a talk show host being caught in an affair with a staff member….
As for Midori Aoyama, she was before my time. She’d been in the group C-breeze, which had been popular in the early 2000s, and retired a few years before I entered the industry. Soon after, she announced her marriage to an executive at a major auto company. Six months later, she gave birth to a daughter.
Most fans were supportive and wished the best for her new family, but a small minority felt betrayed when they realized the timing of her pregnancy meant that she’d been having sex while still active in C-breeze. One fan in particular decided to “punish” Midori for her supposed transgression. He broke into her house late one night and murdered her and her husband and her infant daughter, and then set the house on fire with himself still inside.
Afterwards the police searched the man’s apartment. He was a part-time clerk at a convenience store, but his parents provided him an allowance to get by and he had a much larger apartment than someone in his situation normally would’ve. He skimped on food, living mainly off ramen cups, in order to afford C-breeze merchandise. Not only did he own every album, EP and single the group put out, he owned every variant cover—in some cases dozens of them. He had posters, and book marks, and mouse pads. He even owned notebooks and pencil cases that were meant for teenage girls.
The severity of his obsession had been a hot topic on talk shows at the time, and the man was treated as an extreme obsessive, but since joining IKB-45, I’ve found that such people aren’t that far out of the ordinary. Most of them, thankfully, are not killers.
«If living my best life means I can’t have a boyfriend, is that so bad?» I ask.
«No, I suppose not. But it should be your choice. Not something forced upon you by creepy fanboys.»
I don’t know what fanboys are, but the way she says the word, I can imagine.
«Don’t Christian priests have to give up sex?»
«The Catholic ones, yes.»
«Idols are like priests in a way. What I said earlier, about bringing joy to people, it’s not just what Akamatsu-san wants me to say. Many of our fans have miserable lives, and they look to our songs for hope. And to give that to them, they have to see us as pure maidens.»
«You believe that?»
«They believe it. My job is to sell them the illusion.»
«But are you happy with it?»
What a weird question. Was my father happy as a crane operator? Was my mother happy staying home to take care of the house every day? What does happiness have to do with life? It’s something you take when you can get it, but it’s nothing you should expect. «I’m comfortable.»
Just then we hear footsteps coming down the stairs.
«I didn’t fart!» Hana-chan says.
«Liar! I know the smell of your farts!» Emi says.
«Since when are farts individualized? They all smell the same.»
«No, yours are recognizable.»
«She’s right,» Rinko says. «Yours all smell like beef.»
«They do not! I hardly even eat beef.»
The girls are followed down by the rest of our tour group. The guide gives them a quick circle of the museum, then ushers us all into the elevator.
We descend slowly, and the guide points out carvings on the interior walls. Mike-kun and Linda-san translate, but none of it is particularly interesting. Various civic groups and local governments had donated money for constructing the monument, and they got to place commemorative stones in the walls. So boring!
We’re nearing the ground when Linda-san’s phone rings. She talks into it in English for a few moments, then hangs up. «The protest is starting to break up,» she tells us, «so we should be leaving before the rush gets too bad.»
A moment later Mike-kun’s phone rings. Even though I don’t understand his words, I can pretty well figure out he’s saying, “Yes, I already heard.”
When we’d arrived on Thursday, the convention organizers had sent a charter bus to pick us up and take us into the city, and the plan had been for us to leave the same way. The organizers had mentioned something about a protest on Sunday, but they didn’t think it would interfere with our plans. However, when we woke up this morning, we heard that the protest was larger than had been predicted. The organizers said we had two options. We could cut short our sightseeing and take the bus directly to the airport so as to avoid traffic, or we could do our tour as planned, and ride the subway to the end of the line to meet our bus, thus bypassing the worst of the traffic. Akamatsu-san had been in favor of taking the bus the whole way, but none of us in the group thought it’d be fair if we had to leave Washington without seeing the sites. Akamatsu-san pretends he’s a tough manager, but the truth is he gives up if we push against him as a group.
«But we didn’t get to see the White House or Capitol,» Hana-chan says.
«I’m terribly sorry,» Linda-san says.
«Nah, nah, I don’t want to go near that person,» Rinko says.
The rest of us nod, even Michi.
«I’m more interested in the subway,» Uragawa-sensei says. «They say the stations are some of the most impressive in the world.»
«I don’t know about that,» Mike-kun says. «I’ve always thought they look dystopian.»
«Yes. They use brutalist architecture. Kawamori-san asked me to get pictures so he could use them as reference for his next series.»
The elevator reaches the ground floor and we disembark.
«We’re supposed to meet at Smithsonian Station,» Linda-san says.
This, it turns out, means we have to walk further down the Mall. Despite what Linda-san had said, the crowd isn’t any thinner than earlier, though as we near the station, we do see people streaming underground. There’s a huge crowd building up around the entrance, and we’re going to have to wait a while before we can go down.
At the far end of the Mall, there’s a stage set up and somebody’s giving a speech. Loud speakers relay the words to us, and there are giant televisions showing us a woman standing at a podium.
«That’s Elizabeth Warren,» Linda-san says. «Some people think she’ll be our next President.»
«If there is a next President,» Mike-kun says.
«If you still have a country for a President to rule over,» Uragawa-sensei says.
«Yes.» Mike-kun nods sadly.
«Oh, look! There they are!» Up ahead, Yumeko is jumping up and down and waving to us. She’s only an understudy, but her online fanbase is astounding and she’ll probably be promoted to full membership after the next popularity poll. She’d been invited on this trip in case anyone got sick—something that happens almost any time we do a foreign tour, though we’d lucked out this time.
She’s with the other five regular members of our team, Kyouko, Megumin, YamaYuki, TakeYuki and Chiaki, along with Akamatsu-san, his assistant Tada-kun, and our team manager, Misa-san. When it came time to decide which museum to visit this morning, all of them had voted for Air and Space, while the rest of us wanted to see the Natural History. Akamatsu-san had wanted us to stick together, but he quickly realized that would mean listening to Rinko give a non-stop commentary on how much she hates space stuff, so he let us go off with Linda-san.
«Madoka-senpai, they let me fly a jet fighter!» Yumeko runs over to me.
«Computer simulator,» Kyouko says. «And she crashed after two minutes.»
«It was awesome! You should’ve come, Madoka-senpai.» She hugs me. She’s adorable when she gets like this. I can see why fans love her. Once she becomes a regular member of the group, she’s gonna be a force to deal with. I wish I could kiss her, but a hug’s as far as I dare go in public.
Kyouko clicks her tongue. «It wasn’t that great. They had models of certain famous spaceships from movies, but not one single Gundam. What kinda museum is that?»
«When we get back to Tokyo, we’ll go by the Gundam statue, will that make you happy?» Akamatsu-san asks.
«It would,» Kyouko says.
«For now, we should be going,» an American man says. He’s the translator who went with Akamatsu-san’s group, an older man with graying hair who’s some big-wig in the convention organization. «Otherwise you guys are going to get stuck in the US.»
«Let’s go!» Kyouko shouts and points towards the station. She raises a foot, then stops. She turns back to the big-wig and says something in English. Her dad worked for the foreign service, and she spent most of her childhood in New Zealand and Britain, so she speaks fluent English.
Whatever she says, the big-wig laughs it off.
Akamatsu-san gets on the escalator, followed by Hana-chan and Michi, then Uragawa-sensei and Emi.
I step towards the escalator, but Yumeko taps me on the shoulder. «Hey, hey, what’s that up there?»
She’s pointing at the sky. High up, the color has drained away, going from a deep indigo, to a pale haze. There are few clouds today, but is it my imagination or are they being blown away? Not in a straight line, the way clouds normally blow, but outwards from that hazy patch. Yeah, that’s weird. They’re forming into a ring, like the clouds around the eye of a typhoon, except they aren’t being whipped around by the wind.
«I don’t know,» I say.
«It’s a gate to another world, of course,» Kyouko says, «and if you don’t wanna get attacked when a dragon comes through, you better get into the subway right now.»
«Yeah, yeah,» I say.
Kyouko and Yumeko get on the escalator ahead of me. As I step onto the treads, my neck prickles with that creepy sensation you get when your hair stands on end with static electricity. I swipe my hand across the back of my head to smooth it down, but it barely makes a difference. Yumeko’s hair is too short for the effect to be noticeable, but Kyouko’s is standing up too.
«Madocchi, what’s wrong with your neck?» Megumin asks from behind me.
She puts a hand on my nape and I feel something sticky smear across it.
«Ew!» Megumin says.
I turn. Her hand’s covered in a purplish jelly. Did that come from my neck? I wipe my hand back there again, this time running it across my skin. It comes away covered in blood and pus. What’s this?
Before I can react, though, a tremor runs through the escalator. My first thought is of some kind of fault in the motor, but this isn’t a mechanical issue. The whole span of the escalator is trembling—the entire shaft.
Earthquake! I didn’t think they had them in Washington.
People on the upbound escalator are murmuring to each other as they pass. But it’s not simply the earthquake they’re worried about. Some of them are pointing over at me and the other girls.
I look up.
Their faces are—what’s wrong with their faces? Megumin’s is all puffed up with blisters, and in places they’re cracking open and pouring blood and pus down her cheeks. Chiaki’s in an even worse state. The skin on her face is drooping, like there’s nothing holding it to her skull underneath. She must sense something’s wrong, because she lifts her hands up. When they touch her cheeks, the flesh falls apart like peeling paint. YamaYuki ... I can’t even tell what’s going on with her, but her body’s slumping like an inflatable figure that’s sprung a leak.
Whatever’s wrong with me is spreading. A burning sensation spreads across my neck and onto my face. My right eye twitches—something inside my cheek is pushing the lower lid up. My vision’s half-obscured.
Over on the other escalator, people are screaming. The ones who are closest to the top are falling apart, melting like wax figures on a hot stove. People turn around and try to run, but with the upward motion of the stairs, they’re barely able to stay put.
Megumin opens her mouth to speak, but all that comes out is a mist of blood. Her hands clasp her throat. Is she choking? My instinct is to move to help her, but something holds me back. The people highest on the escalators are suffering worst. The people on the other track have the right idea—we need to get down. Kyouko and Yumeko are already fleeing.
I’m about to do the same when the stairs lurch to a halt and the lights go dead. The escalator shaft isn’t pitch dark, though—there’s enough sunlight coming from above ground that I can still make out outlines around me. I move my feet to run, but my knees give out from under me and I tumble down the stairs face first. The last thing I feel is the ridged edge of a stair smashing into my chin.
To Be Continued...
“No, mom.… No…. Mom... mom... listen... no... nobody’s been beat—Mom. We’re fine.… Yes, we’re fine.… No, we haven’t been arr—we haven’t been arrested.… Who got punched? ... He’s a Nazi, who cares.… Look, mom, we’re leaving now. We should be home in an hour or so.… Yessss, she’s safe.… No, nobody’s been hit by a car.… Look, I’ll call you when we get to Dunn Loring. Bye.” Shreya ends the call.
“Didn’t say anything.”
“Is your mom always like that?” Brook asks.
“All. The. Time,” I say.
“I thought Korean moms were supposed to be the worst,” June says. “God.”
“We had to twist her arm so she’d let us come without dad tagging along,” Shreya says.
“Aren’t you an adult?” Nick says.
“Yeah I am, but the brat’s not.”
“Don’t call me a brat.”
“Stop acting like one.”
I flip her off. She’s walking ahead of me so she can’t see, of course. If she could, she’d beat me down, even in the middle of a crowded street. Didi’s an ogre. And not the cute Shrek kind, either. One of the ones with clubs who attack unwary travelers in the mountains. Or are those trolls? I can never remember.
Josh pats me on the head. “Don’t listen to her,” he whispers. “You’re fine.”
“Thanks.” He is such a cutie. Look at those eyes, and those lips. Oooh! I’m lucky I don’t go into blabbering idiot mode like I usually do around guys. Shreya has a huge crush on him—she hasn’t said anything specific, but the way she talks about him, which is like incessant, it’s obvious. But we’ve been out with him since nine this morning, and he’s barely shown any interest in her. Me however… I will crush her.
“Excuse me,” a woman calls out to us from a van that’s parked on the side of street. She’s incredibly beautiful and made up like a movie star, though her outfit is a bit plain. She looks vaguely familiar. “Are you guys coming from the protest?”
“Yeah ...” Owen says cautiously.
“Would you mind if I interview you?”
“Who’re you with?” Owen says.
We look at each other.
“It’s Fox,” Brook says.
“But it’s the local station,” Josh says. “I don’t think they’re run the same way.”
“I dunno,” Shreya says. “Don’t we wanna get outta here before the rush?”
The protest is supposed to last until five, but we’ve ducked out a little past four. I’d wanted to stick around, but everyone was like, “No, we don’t wanna get crowded on the train.” Like we couldn’t hang out in DC until the crowd disperses? When I’d asked didi to take me along, I’d been hoping we’d hang out afterwards and get into, like, escapades and shenanigans and cool stuff, or at least hang out at a diner for a few hours. But at this rate it looks like we’ll be home in time for dinner. Mom will probably even make me go into the store to sweep and mop and all that tedious stuff. I swear, I’ll be in college and she’ll still expect me to work at the store every night. What a pain.
“C’mon,” June says, “we get to be on TV.”
“Yeah, why not?” Nick says.
But Brook, Owen and didi are against it.
“Guess you’re the tie-breaker,” Josh tells me.
I’m not sure I want to be on TV right now. Sure, it’d be cool, I could brag about it when school starts, but I’ve been out in the heat and humidity all day. I must be a mess right now.
But I don’t want Josh thinking I’m a--
“She votes no,” Shreya says.
“I do not.”
“You arguing with me, brat?”
“Yeah. I say we do it.”
Shreya lets out a dramatic sigh, but says, “Fine, we’ll do it. But if mom freaks out because we’re late, it’s your fault.”
The reporter brightens up. “Excellent, excellent.”
She and her driver get out. The driver goes around to the back of the van and retrieves a camera. It’s a lot smaller than the ones you see in movies, though it’s still huge compared to the one dad had when I was a kid, in the olden days before cell phone cameras.
We’re on a street with lots of huge, hulking government buildings, and the reporter directs us to stand with our backs to the street so she’ll get a good shot of them in the background. She’s very particular about arranging us, putting me, Shreya and June together in the front.
“Before we begin, I just wanna get to know you a bit. What are all your names?”
We go around and introduce ourselves.
“You all in college or something?”
“We are, but she’s in high school.” Owen points to me.
“Oh?” She focuses on me. “Do you follow politics a lot?”
“A little, I guess. I had to keep a journal on the news for AP Government last year.”
“But school’s out now, right?”
“Yeah, we’re on break until next month.”
“So you haven’t been following the news as much lately?”
“I still watch a bit.”
“Well that’s great.” The reporter smiles. “Always good to know the next generation is tuning in.”
I didn’t say I watch her channel.
“So why did you decide to come down here today?” She’s still directing questions at me.
“It seemed like fun.”
From the corner of my eye, I catch didi facepalming. What?
“I see. How about the rest of you?”
“We don’t want the US to go to war,” Owen says.
“Yeah, we’re old enough to remember Iraq and Afghanistan. We never want to see that again,” Brook says.
“Kim Jong-un’s a bad guy, but that doesn’t mean war is the answer,” Josh says.
“There’s talk of bringing back the draft,” Nick says. “That’s crazy. If rednecks wanna die for Cheeto Benito, let ‘em, but leave the rest of us out of it.”
The reporter perks up at that last bit. “Mm-hmm. So I know college isn’t in session right now, but if it were, do you think your classmates would all feel the same way?”
“Most of them, yeah,” Owen says.
Nick adds, “There are only a few guys at our school who like the President, and they’re all troglodytes who spend their time playing Warcraft and spanking to anime.”
“Dumbass,” Brook says.
“You can leave that part out when we’re filming,” the reporter says. She checks with her cameraman. He gives a thumbs up. “Well, let’s do this.”
“And three, two, one ... go,” the cameraman says.
She flashes a smile like the sun on that one cereal box, you know, with the raisins. “This is Kelly Kowalski, and I’m here in Federal Triangle, near the site of today’s anti-war protest. Despite being organized at the last minute, tens of thousands of liberal demonstrators turned out on the Mall to voice their opposition to US action against brutal Korean dictator Kim Jong-un. I have a group of protesters here with me right now.” She turns to our group. “So why’ve you come out to oppose the President today?”
She thrusts the mic in my face.
“Uh...” Shiiiiiit. “I thought it ... would be ... cool. Uh-huh.”
“You know, war’s bad.”
“Even against a thuggish dictator like Kim Jong-un?”
“Did you know he had his uncle executed with an antiaircraft gun? Those fire bullets the size of soup cans.”
What? I never heard that.
I look to didi. She’s cringing. The reporter uses that as an excuse to shift focus to her.
“So where’re you from?”
“Fairfax,” Shreya says.
“And you’re in college?”
“Now earlier, you guys were telling me there are extreme anti-administration sentiments on campus.”
“There are strong anti-administration feelings everywhere in Virginia,” Owen says.
“Actually, the President won most counties in Virginia,” the reporter says, “including a large chunk of Northern Virginia. If your college is that ardently against the President, it’s an outlier. Do you think that has anything to do with your professors?”
“No, it’s common sense,” Nick says. “Anyone smart enough to get into college can see the truth—the President has been a nonstop disaster.”
“But do your professors push a liberal agenda?” the reporter says.
“No!” June says.
“Don’t be ridiculous,” Brook says.
“What would happen if a student espoused support for the President in class?”
“Nobody would do that,” Nick says.
“Out of fear of receiving bad grades? Social repercussions?”
“No, because they’d look like complete morons,” Nick says.
The reporter turns to the camera. “Well, I’ll leave that to our viewers to judge. This is Kelly Kowalski reporting from Federal Triangle. Back to you.”
“Aaaaand, cut,” the cameraman says. “That was great, Kel.”
“That’s gonna get picked up for Fox and Friends, I know it,” she says. They high five, then she turns to us. “Great job, guys. Great job.”
“What the hell?” Owen says.
“What kinda interview was that?” Josh says.
“The kind where I ask questions and you answer.” She opens the door to the van and climbs inside. She picks up a half-melted iced mocha and sips.
“I’m gonna edit and upload,” the cameraman says and gets into the back of the van.
“I told you guys this was a bad idea,” Brook says. “But would you listen? No.”
“Good job, brat,” Shreya says.
“What did I do?”
“Cast the deciding vote.” She flicks me in the forehead. Ouch. I slap her hand away.
She turns and heads towards the Metro entrance. The others fall in behind her, except for Josh.
“Doesn’t really matter,” he says. “Fox does that to anyone they interview. If it weren’t us, it’d be somebody else.”
“Yeah, probably.” I rub my forehead. I think didi left a divot with her nail.
“Here.” Josh kisses his first two fingers and then presses them against the hurt spot. “All better.”
I smile and blush and I must look like an idiot right now. “You know, using your fingers is homeopathy. You have to apply your lips for it to actually work.” Oh no, did I say that out loud? He’s gonna think I’m such a dork.
“You raise a valid point.” He looks down the sidewalk, but my sister and the others are all facing away from us. He leans down and pecks me on the forehead. “Does that work better?”
I want to say yeah, but my mouth is caught in a stiff grin right now. I can’t move it at all. With some effort, I manage a nod.
“C’mon,” he says and heads for the station.
I try not to skip after him. I don’t succeed.
Take that, didi, you eternal virgin. Second year of college, you’ve never even had a boyfriend. And I just got kissed by the guy you think is cute.
The only problem is, I can’t rub her nose in this—she’d freak out if I told her, and then she’d turn it into blackmail with mom. No way.
There are a pair of cop cars parked on the street, and an officer is standing watch near the station entrance. He gives me an especially long glance. Yes, I’m brown. That doesn’t make me a terrorist. Jerk.
We get on the escalators. We should hurry down to catch up with the others, but there’s a fat man ahead of us. He’s not walking and he’s too wide for us to get around. We don’t have any choice but to let the escalators do all the work.
Shreya’s waiting for us at the bottom, but the others have gone on ahead. “What took you so long brat?”
“I’m just slow.”
“Well speed up, we don’t wanna miss the train and get separated.”
“Well gimme my fare card,” I tell her.
“What’re you talking about?”
“My ticket. I gave it to you when we got up here, remember? I didn’t bring a purse and my pants don’t have pockets.”
“Did you?” she says.
She opens her purse and searches through.
From the platform downstairs, we hear a train arriving. We can’t see it from here, though, and if there’s an announcement, it’s too faint to hear over the sound of the crowd.
“Relax,” Shreya says, “there are like three lines that go through here. There’s only one chance in three that’s our train.”
“One in six,” I say. “Trains go both ways. Geez, how’d you get into college, dummy?”
“Whatever.” She’s finished searching her purse, no luck—she’s come up with one fare card, but that doesn’t do much good when there are two of us. I suppose we could try to run through the gate together when it opens ...
“Don’t worry about it,” Josh says. “I’ll buy her a new card.”
“It’s only four bucks, I got it.” He takes out his wallet and goes to the ticket machine. He returns a minute later with a fresh card for me.
“Thank you.” I shall treasure this always, the first thing you ever bought me.
“Not a problem.” He winks at me. My sister doesn’t notice.
We go through the gates and get onto the next set of escalators. Shreya cranes her head to see around the guy in front of her, who, despite being one step lower, is still a head taller than her.
“I don’t see Owen or Brook or any of them.”
“They wouldn’t leave without us,” Josh says.
They better not! We carpooled to the station in Owen’s SUV. We need them to get home from Dunn-Loring.
“There, look, it’s Nick,” Josh points.
Yes, there he is, but he’s all alone. He’s leaning against one of those poles that tell you what stations are in each direction, much to the annoyance of a man who’s trying to read the sign. Nick has his eyes on the escalators and spots us almost as soon as Josh points him out. He waves.
We step off the escalator.
“Guys, the others—”
He’s cut off by a train rocketing out of the tunnel. It slows to a halt, but one glance at the sign tells us it’s a Blue Line train, not the one we need.
Once the noise dies down, Nick tries again, “Owen and the others got on the train without realizing you weren’t here. I tried to warn them, but the doors closed before they could get off.”
“Ah, crap,” Shreya says.
We look to the arrivals board. The next Orange Line train isn’t due for another twelve minutes.
“Silver Line’s coming in five,” I point out. “Could we take that?”
“No good,” Nick says. “Silver splits off from the Orange before our stop.”
“Don’t worry,” Josh says. “Once we get to Virginia and out of the tunnels, we can call them and tell ‘em where we are.”
In the meantime, though, we grab some seats. As we wait, the station starts filling up with people leaving the protest. The Silver Line train relieves some of the congestion when it comes through, but most of the crowd sticks around. It’s getting noisy down here. A couple guys stand next to our bench, talking loud.
“I tell you what, if that idiot starts a war, I ain’t fucking around with letters to Congress no more. It’s militia time. Conservatives have been doing it for years. About time we realize we gotta adopt their tactics.”
“Yeah, but what did those militias ever accomplish? Took over a wildlife refuge for a few weeks? One of ‘em got shot for being an idiot.”
“It’s time we do more.”
“Yeah, but it’s like Warren Zevon said, you wanna accomplish anything, you gotta have lawyers, guns and money. All three.”
“Do we hafta bring lawyers into it?”
The men laugh. They’re still laughing when the station starts shaking.
My first thought is a train’s coming, but after a second I realize this is an earthquake. I look up at the ceiling. I sure hope they built it strong.
Somebody screams. It’s from the upper floor of the station.
The shaking gets worse.
Shreya stands, but Nick grabs her arm and pulls her back. “We aren’t going anywhere in this crowd.”
There’s another scream. Shouting. What’s going on up there?
But I’m distracted a moment later by a loud crash. My head whips around in time to see part of the tunnel collapsing. Oh crap, that’s the one our train is supposed to come through! How’re we gonna get home now?
Before I can worry any more, though, I’m hit by a cloud of dust that flies out from the rubble. Some of it gets in my mouth and I break out coughing so hard I feel like I’m gonna tear out my throat. My eyes tear up, partly from the coughing, partly from dust getting in there. I press my palms to my eyes and rub them.
When take my hands away again, I can’t see anything. Did I go blind? You can’t go blind from dust. Can you? But a second later my sight return. The power had gone out, and it took a second for backups to start. The lights aren’t at full power, though, and with the air full of dust, the station has a dim, smoky atmosphere.
It takes me a moment to notice the shaking’s stopped. Everything’s quiet down here, but there are still people shouting and screaming on the upper floor.
Josh has his backpack on the floor, and he’s unbuttoning his shirt—he has a tee on underneath, though, so I’m disappointed. He rips his shirt into pieces, then pulls a bottle of water from the bag and pours it onto the scraps. Huh? What’s he doing?
He takes a sleeve and wraps it around his head so it’s covering his nose and mouth. He hands the other sleeve to me.
Oh, I get it. I tie the sleeve over my face. That’s so much better. I can breathe clear.
“Thank you,” I say.
“Not a problem.” He hands another scrap of shirt to Shreya, and the last one to Nick.
“Thanks, man.” But instead of putting the cloth on right away, Nick first uses it to wipe his glasses clean.
Other people aren’t so lucky. They’re hacking their lungs out from the dust. Some try to get on the ground like you’re supposed to in a fire, but this isn’t smoke. The dust is slowly—slowly—settling to the floor, not rising to the ceiling.
A lot of people are heading for the escalators, but they’re so jammed that I don’t see them making any progress.
“I’m going up,” Shreya says.
“Are you nuts? You’re not getting up there with that crowd,” Nick says. “Better to wait here until it clears up a bit.”
“I’ve gotta call mom, let her know we’re all right. She’s gonna be freaking.”
That’s definitely true. She’s probably calling us right now and going into panic mode because she can’t get through.
“It’ll take you half an hour to get out of here, minimum,” Nick says. “If you wait, it’ll take the same amount of time, but you won’t be standing.”
Shreya doesn’t care, though. “Come on,” she tells me.
I’d rather wait down here. Nick’s right. It’ll take us forever to get up those stairs. The station looks to be in one piece, apart from the tunnel mouth, so let’s sit here. I’ve been on my feet all day. I don’t wanna be standing if I don’t have to.
“We don’t have all day,” she says and grabs me by the shoulder. “Get your butt moving.” There are times when she sounds exactly like mom.
“Fine, fine.” I stand.
“I’ll come with you guys,” Josh says. That changes my mind. Not only would I rather be around him, but I don’t wanna be left alone with Nick. He’s one of those dorks who thinks he’s ten times cooler than he is, and he’s always trying to show it off. If I stayed down here, he’d probably talk to me about how awesome Ed Sheeran is. Ugh.
“Thanks,” Shreya tells Josh. I can’t see her mouth, but I can tell she’s smiling. She thinks he’s coming because he likes her. Sorry, loser, it’s not you.
“Whatever, guys,” Nick says. “I’ll be up when the crowd clears.”
We leave him sitting on the bench.
The crowd around the foot of the escalators is twenty deep, and the people who are on the stairs are taking one step forward every five minutes or so.
“What’s the hold up?” Shreya asks.
“No one knows,” a woman tells her.
“Do you know what the screaming was about?” Josh says.
The woman shakes her head.
“I heard somebody got crushed when part of the ceiling came down,” a man says.
“I dunno, that’s what I heard.”
“Are you sure we should be doing this?” I ask didi.
“If something’s gonna collapse, it doesn’t matter where we are.”
“It matters if we’re under it.”
She flicks me in the forehead. “Don’t argue, brat.”
“You should be nicer to her,” Josh says.
“No. She’s a brat. She’s daddy’s little girl. She always gets what she wants.”
“Do not.” And besides, you’re momma’s little girl. You do everything she expects of you, no questions. You’re going to turn out just like her, a little-miss-bossy pants. Oh wait—too late.
“If I’m not mean to her, she’s gonna end up spoiled,” Shreya says.
“I am so glad I’m an only child,” Josh says.
“I wish I were,” Shreya says.
“I’m telling mom you said that.”
We move slightly closer to the escalators. Then we stand there for five minutes before we manage to take a couple more steps.
“Smart plan, didi. Smart plan.”
“Here, let me adjust that for you.” She grabs my face mask and pulls it tight across my mouth so I can’t talk.
Hey, hey! Quit that! I slap her hand away, loosen the mask.
Some of the people around us are giving us weird looks now. Look what you did, didi. You are so stupid sometimes, I swear.
There’s a commotion at the top of the escalators.
“Let me through.”
“Where’re you going?”
“You can’t get down there.”
There’s a woman up there, she’s pushing her way through the crowd, trying to get down here. What is she, crazy? There are so many people on the steps, she’ll never get through. She must realize that, because she climbs onto the thick metal banister between the escalators. She tries to slide down, but as she nears the bottom, she goes off course and bowls into the people who are standing on the stairs. She knocks them over, and that causes a chain reaction.
Me and Josh jump back in time not to get hit, but Shreya falls on her butt with a fat, bald guy on top of her.
“Sorry, sorry,” the guy says and rolls off her. He stands up and dusts himself off, then realizes he should help the girl he knocked over and offers a hand to Shreya.
“Thanks,” she says.
“What do you think’s so funny?”
“To think, I would be here to witness the first time my sister ever had a man on top of her. You are such a wanton hussy.”
She slaps me upside the head. “Shut up.”
She looks to Josh. He’s biting back laughter. She looks away embarrassed. That was worth it.
The woman who slid down the banister has gotten up and pushes her way out of the crowd. People give way, giving her nasty looks as she goes.
“We’ve gotta get out of here,” the woman says. She’s middle aged, but wearing a tank-top and shorts that girls my age would have a hard time pulling off.
“Going the wrong way for that,” says a man.
“We can’t get out up there!”
“What’re you talking about?”
“I didn’t hear, what’d she say?”
“What, did the escalator shaft collapse?”
“They’re all dead!” the woman screams. “You’ve gotta get away!”
She turns and runs to the edge of the platform, jumps. She lands on a rail and falls over. I don’t have a good view, but it looks like she twists her ankle when she goes down. “Aaa-aah,” she cries.
Shreya moves to check on her, but the woman pulls herself up and limps into the train tunnel.
What was that?
“Crazy people,” the fat man says. He turns around and sees that the crowd’s been disrupted enough that he has a chance to slip ahead.
Shreya sees it too and grabs me by the arm. “C’mon.”
We move ahead. A little bit at least. We’re up to the metal plate that covers where the steps disappear into the floor.
A few minutes later and I’m actually standing on a step—one of the ones near the bottom that’s half retracted, but counts.
We start moving faster after that. In five minutes, we’re halfway up the escalator.
“I told you you should’ve waited.” Nick joins us. He’s on the next escalator over, but people are moving faster on that one for some reason, and he actually gets to the top before us. I have decided that he’s a loser, and I intend to make him pay. I undo my ponytail, and I’m gonna shoot him with my hair-tie, but Shreya stops me.
“Behave yourself, brat.”
“What, you got a crush on him?” I put my ponytail back up.
“No! Eww. You know what Nick’s like. Yeeagh.”
“Yeah, he’s perfect for you.”
“Not in the slightest. I can do so much better than that.” Her head twists and she looks back at Josh. He’s fallen a bit behind us, three or four people back. Too far to hear.
“Keep dreaming,” I say. “You’re gonna end up disappointed. You should set your eyes on someone more your level.” I nod towards Nick.
“Brat, I am going to kill you.”
“What would mommy say?”
We finally make it to the top. It’s really crowded up here. Why aren’t people moving out of the station? It’s been long enough, you think they would’ve cleared out by now.
“They say the station manager won’t let us leave,” Nick says. He’s had time to go investigate while we were stuck on the escalator. This is the last time I ever listen to one of didi’s plans.
“Why not?” Josh says.
Nick shrugs. “I heard a bunch of things, they’re all crazy.”
“Such as?” Shreya says.
“Some people died on the escalators during the quake.” He points back towards the station entrance and the escalators to the surface.
“Died?” I say. The crazy woman had mentioned dead people, but I figured maybe somebody had a heart attack, or got conked on the head by something falling out of the ceiling.
“Is the entrance all right?” Josh says.
Nick shakes his head. “No clue. There’re a couple cops who are holding the crowd back, won’t let us go down the hall to where the escalators are.”
“Well that’s good, at least,” didi says. “If cops are here, there must be ambulances and fire crews too.”
“No,” Nick says. “The cops didn’t arrive. They were already here. Didn’t you see them when you came in?”
“There was one up above,” Josh says.
“There were a couple down here, looking for someone,” Nick says. “And now they’re telling everyone to stay here.”
The problem is, now we’re crowded into the area between the escalators and the fare gates, along with everyone else. And there isn’t even a place to sit down, except the floor—and you’d get trampled if you tried.
Shreya checks her watch. “It’s past five. I really gotta call mom.”
If we’d gotten on the train with Owen and the others and there hadn’t been an earthquake, we’d be home by now—or nearly so, depending who Owen dropped off first.
But mom must realize the earthquake stopped the Metro. This should be all over the news. There’s probably a strip running across the screen with all the closings listed. But even so, she’s gonna be worried until she hears from us—well, with her, she’ll be worried even after she hears from us, but knowing we’re alive will be a big help.
“I don’t see how you’re gonna do it,” Nick says. “We’re stuck here.”
“I’m gonna talk to the cops. We tell them it’s an emergency, they have to let us out.”
I doubt it’ll be that simple, but I don’t want to stand around here with people pressing in on me from all directions. If we can’t go back to the platform to wait, sure, let’s go see the guy in charge.
Nick doesn’t argue this time. “Whatever”
“Okay,” Josh says.
We push our way through the crowd. That gets us a few dirty looks, but nobody’s in a mood to argue. With the power out and so many people squeezed in here, the air is turning stuffy—though at least the dust didn’t get up here. In fact—I take my mask off. There aren’t any trashcans, though, so I don’t have anywhere to toss it. But then, Josh gave it to me—ripped the shirt off his own back, almost literally—so maybe I should keep it as a souvenir. Too bad didi has one, too.
As we get near the fare gates, our movement slows to a crawl. Nobody’s going through, but they’re milling around and blocking the gates, and it takes some effort to get them to step aside for us.
“It’s no use,” one guy tells us, “they aren’t letting anyone up.”
“We’ll see,” Shreya says.
At last we get to the gates. They consist of waist-high barriers set up so one person can get through at a time. There are pizza-shaped wedges that come out to prevent you from getting through without a ticket, but without power they seem to’ve retracted into the barriers, so we don’t have to climb over or duck under or anything.
Didi goes first, then Nick.
“Ladies first,” Josh tells me.
I’m tempted to ask what that makes Nick, but I don’t want to be mean to Josh’s friends. Even when they are dorks. Instead I mumble, “Thanks,” and step through.
I get two steps when I feel his hand on my butt. At first I think he’s just brushing against me, but no, he’s cupping my butt, and that doesn’t happen by accident. He squeezes.
I go stiff in surprise, but ... I kinda like it. He has strong hands, big too. That feels nice.
I twist my neck around.
His hand lets go, but he smiles and leans in to whisper, “Sorry, it was too good to pass up.”
Really? Shreya always tells me I have a flat butt. Well take that, didi! “That’s okay,” I mumble, though what I want to say is, “Please, do it again.” Maybe next time without any clothes in the way. Mmm, that could be fun.
Too bad it’ll never happen. Shreya’s in college, but mom still won’t let her go on dates—not that she’s forbidden or anything, but mom expects her to be at the store so much that she doesn’t have time to go out. Me, in high school? I’ve got no chance, even with guys my own age. A college guy ... forget about it. If Josh came to pick me up on a date, mom would lock me in my room and wouldn’t let me out until I’m thirty.
Though that would get me out of work, so ... hmm.
“Guys, you’re taking forever.” Nick’s stopped on other side of the gate and is tapping his foot super dramatically. He didn’t see what Josh did, did he? Well, at least didi’s moved off. I can imagine the fit she’d have if she knew. Especially with Josh, the guy she’s crushing on.
We get through the fare gates and head towards the hall.
“Hey, you guys shouldn’t be out here,” a cop says as we approach. “It’s not safe. Structural issues. We’ll need somebody to check it out before we can let people through.”
“But it’s safe to stay down here?”
“How long are we talking?” Josh asks.
The cop shrugs. “Dunno.”
“Come on, I’ve gotta get upstairs so I can call my parents,” Shreya says.
“Is there a landline down here?” Josh asks. “Maybe you could let people call out. I’m sure she’s not the only one with family that’s worried.”
That stops the guy. “Let me go talk with my boss.”
He retreats around the corner, but another cop comes over and blocks our way, so we back off a bit.
“What the hell is going on?” Nick says.
“I don’t know, but I’m not buying it,” Josh says. “It’s been more than half an hour since the quake. We should have first responders here by now—firemen, paramedics. Not just a couple pigs on patrol.”
“You think they’re hiding something?” Shreya says.
“Yeah, but what?” Nick says.
“If the entrance collapsed, they could tell us.”
“Maybe they’re afraid people would try leaving through the tunnels like that one woman,” I say.
“If the entrance is collapsed, we’re going to have to anyway,” Shreya says.
“Not necessarily,” Josh says. “If they get the power fixed, they could send a train to take us out. If people are in the tunnels that would complicate things.”
“Maybe,” Nick says, “but that’s not the impression those guys were giving me.”
I agree. Those cops were acting like the soldiers in sci-fi movies who tell people, “There definitely aren’t any aliens back here. Please ignore the funny lights you saw in the sky.”
But I’m not going to say it. Agreeing with Nick is ... gross.
“Excuse me.” Yet another cop appears, this one accompanied by a Metro employee.
“Yeah,” Shreya says. “Look, I don’t know what the trouble is, but I need to get in touch with my parents before they freak out and call the…” She was going to say “cops,” but that’d sound silly given the circumstances.
“Yes. That’s not going to happen,” the one cop says. He’s clearly the guy in charge here.
“What do you mean it’s not going to happen?”
“The phones are out,” the Metro employee says. “Cellular and wired both, I’ve checked.”
“Phones and power?” Josh says. “Don’t phones normally have a separate power supply?”
“Yeah, and it’s out,” the Metro guy says.
“Wait,” Nick says. “You said you’ve checked cell service. So you’ve been up to street level?”
The cop shoots the Metro employee a dirty look. “We’ve been up,” he says.
“So it’s possible to get up there?” Josh says.
“...It’s not impossible.” The way the cop says it, there’s something he’s holding back. If we could go up but he doesn’t want us to ...
“Is there something wrong up there?” I ask.
The cop doesn’t say anything.
“What happened?” Josh says.
“We should wait for emergency services,” the Metro employee says. “I’m sure they’ll be here soon enough.” His voice cracks.
“What happened?” Shreya says.
“I don’t know! Okay. A nuclear bomb? It’s bad, that’s all I can—”
“Quiet,” the cop hisses. “You want a stampede on your hands?”
“What the hell are you guys hiding?” Nick says.
“Shut up and go wait. We’ll ...” but the cop has no clue what he’s gonna do. “We’ll ...”
“If we go back,” Josh says, “we’re gonna start talking to the other riders. They’re going to want to know what’s going on. There are at least two hundred people back there. What do you think’s going to happen when they come over here and demand answers?”
“Hey, Mike,” the first cop we’d talked to says, “maybe we should ...”
The cop, Mike, he nods. “Fine, whatever. You wanna go up, go up. But don’t say you weren’t warned.”
Now that we have permission to go, though, I don’t know if I want to. The way these guys are acting, I’m afraid of what we’re going to find upstairs. “Maybe we should wait,” I say.
“Don’t be a scaredy cat,” Shreya says. She walks around the corner.
Nick looks back to the crowd. “I don’t see how we’re not screwed no matter what.” He follows my sister.
“I guess we might as well,” Josh says.
“Don’t worry, there’s any trouble, I’ll protect you.” He puts an arm around my shoulder and pulls me tight against him.
I don’t know that it makes me feel any safer, but it gives me a good feeling at least.
But as soon as we reach the corner, he lets me go. I understand why, and I don’t want my sister seeing us like that either, but I do wish he’d keep holding me.
The escalator area is dimmer than the rest of the station. The lights are glowing with the same low intensity as everywhere else, but sunlight’s pouring down the escalator shaft. The beam’s no wider than a spotlight, but it’s so bright that it makes the rest of the room pale in comparison. All I can see are the escalators and the floor in front of it.
And the clothes.
They’re all over, like people had been stripping naked as they came down and left their shirts and pants and underwear lying on the steps. After a moment, I notice it’s more than clothes. There are purses, and wallets, eyeglasses, cellphones, all kinds of things strewn on the escalators and floor.
I step into the room—or I try to. My shoe’s stuck to the floor and nearly comes off my foot. It’s like walking through a movie theater that hasn’t been cleaned properly. I twist my foot and the shoe breaks loose. There’s some thick, purple sludge all over the floor.
“What happened here?” Josh says. “What is this gunk?”
“That’s people,” Mike the Cop says. “What’s left of them.”
To Be Continued...
“You got any ketchup?”
“What do ya need ketchup for?”
“…? My taco?”
“You don’t put ketchup on tacos.”
“Uh, yeah, I do. Hot sauce gives me indigestion.”
“Well too bad, eat it plain. We don’t have ketchup here.”
“No need for the attitude, Paco. Jeez.” The woman turns and stalks away, flipping the bird behind her as she goes.
“You white people are crazy.” Miguel sits back down on his stool. “Ketchup on tacos … that’s as bad as pineapple on pizza.”
“I like pineapple on pizza,” I say.
“That is sick and disgusting and you are going to hell. The only thing that goes on pizza is cheese, sauce and meat.”
“I’m a vegetarian.”
Miguel rolls his eyes. “Then I tell you what I told her—eat it plain. Don’t go ruinin’ it with stuff don’t belong on it.”
“It is a miracle you have any customers,” I reach over to the soda machine and refill my cup. I’ve been guzzling soda all day. I know it’s bad for me and I’ll spend an extra half hour at the gym tomorrow to burn it off, but for right now I need the refreshment. It’s over ninety outside with 100% humidity, and it’s even worse inside the truck thanks to the stove. Even with a fan pointed straight at me, I’ve got sweat pouring off me. My shirt is clinging to me.
“You’re not a customer,” Miguel says.
Fair enough. I’m mooching today. We’ve been here since eight in the morning, and all I’ve done is check social media and eat chips while Miguel cooks the food and rings up customers. Business had been slow at first—people had either eaten before setting out this morning, or they’d stopped at Starbucks on the way here—but it had finally picked up after eleven and been pretty steady through most of the afternoon. Only in the last half-hour had it died down—I guess it’s late enough now that anyone who’s hungry is holding out for a proper meal, not something they bought from a truck on the side of the road.
I look outside. The Mall is still packed. Metro had tweeted that this was their second busiest day on record—bigger than the Women’s March, but still not the level of Obama’s inauguration. Though unlike the Women’s March, this had been an impromptu affair, only organized in the last three days, so you don’t have people pouring into DC on charter buses.
“Excuse me,” a man calls from outside the truck.
“Yes?” Miguel stands up again.
“I’d like a bean burrito, if you wouldn’t mind. Sour cream and heavy on the cheese.”
While Miguel’s busy fixing the order, I check Twitter. The first item in my feed is an update from the Washington Post.
BREAKING: North Korea releases footage of captured American soldiers.
I click through to the article.
North Korean television stations began their broadcast day on Monday by airing footage of US soldiers that it claims to have captured in the Demilitarized Zone. The footage shows six soldiers in US Army uniforms in an unadorned concrete room. The men appear in good health, and one soldier, identified as Lieutenant Brian Kilpatrick, spoke briefly to the camera to say that he and his men have been treated humanely and are unharmed.
The rest of the article is repeating stuff I already know, so I tap back to Twitter. Most of my feed is taken up by pics and vids of the protest. I’d walked around a bit earlier, but we’re parked on the opposite end of the Mall from the speakers’ platform, so I haven’t been able to hear any of the speeches. Even the loudspeakers sound like Charlie Brown’s teacher at this distance. I check out a clip of Natalie Portman warning that war with North Korea could mean the end of human civilization. That’s nice and all, hon, but where have you been until now? Weren’t you a Hillary supporter? She’s as much a warmonger as the Tangerine Menace. And if she were threatening war, I bet you wouldn’t be out here, now would you?
I’ve got no time for these wannabe Hollywood “progressives”. Only folk like Susan Sarandon and Oliver Stone have decent political views, and they’re treated like pariahs by the liberal set.
My phone chimes with an incoming text. It’s from Sass.
Getting off at the Smithsonian Metro now.
I hit reply and type out,
We’re parked on Constitution north of the Washington Monument.
A few seconds go by before Sass responds.
K. Be right there.
Miguel’s finishing up with the customer. Once he’s done, I tell him, “They’re on their way.”
“All right. I’ll close up, you get everything ready.” He opens the truck’s back door and steps outside. He lowers the shutter, plunging the interior into darkness.
I flip on the overhead light, then kneel by the cabinet where we have everything stowed. There are a dozen plastic bags, each one containing a pair of sweatpants, a sweatshirt and a ski mask, all black. We already have them sorted by size, and each one is labeled for its recipient. I wipe a few stray bits of cheese and lettuce off the counter and lay the bags out.
We also have baseball bats stowed down there, but only half a dozen. We don’t dare pass them out to everyone—there are going to be too many newbies with us today.
There’s clanging outside as Miguel lowers the truck’s awning and folds up the signs, then he climbs back in, shutting the door behind him.
“You nervous?” he says.
“Nothing I haven’t done before.” Unlike these Jennies-come-lately outside, I’ve been protesting against American fascism since before it was cool. Been arrested … seven times, I think it is now. And that’s nothing compared to Sass. She was around for Occupy DC. She told me back then she got arrested nearly every week. And people think American fascism is something that happened recently? Just because their lives were comfortable, they ignored what was really happening in this country.
Miguel’s like that. He only got involved with our group after the election. He’s not even coming with us today—he’s afraid if he gets arrested, the truck’ll get towed and he’ll be in trouble with his uncle. We had to twist his arm to even use it as a base.
“Well, good luck,” he says and goes up to the driver’s seat. He puts on NPR.
“…while the National Park Service won’t issue an official estimate, organizers say the protest has attracted a million people. Similar protests are taking place across the country. A march through Central Park in New York is pegged at five-hundred thousand people, and protests in San Francisco and Los Angeles are shaping up to be in the same range. So far the protests have been peaceful, apart from a small riot in New York where a group of so-called ‘Black Bloc’ protesters smashed the windows of stores in Times Square.”
Peaceful protests. They talk about that like it’s what we should be aspiring to. At a time like this! If the people on the Mall turned north and marched en masse on the White House, this whole crisis would be over within an hour. But the bourgie horde outside doesn’t want to do anything that requires real effort on their part—maybe even a sacrifice or two.
Somebody knocks on the back door.
This is it. This is the moment when we’re at the greatest risk of being stopped.
“Street looks clear,” Miguel says.
I open the door and find Sass waiting outside.
“C’mon.” I offer her a hand and pull her up, then help the next person and the next. We have to get everyone inside quickly. If a cop sees a bunch of people going into a food truck, they’re gonna get suspicious and come to investigate. We’d considered having everyone break into groups and do it two or three at a time, but in the end we’d decided there’d be less risk if everyone went in one go.
The interior of the truck is cramped to begin with thanks to all the equipment, with the central aisle being barely wide enough for two people to stand facing each other, but we manage to get everyone packed in and I shut the door. That leaves me facing the back of the truck, though. Turning around is a real trick, and I end up stepping on someone’s foot.
“Ouch,” the guy next to me says. Duncan. One of the college students who joined our group recently.
He’s got a stubbly beard and gelled hair, and when I’d first met him, I’d assumed he was a douchebro who was only coming out to meet women—we get a lot of that, but they usually lose interest after a couple meetings. They all come in thinking they’re going to be Luke Skywalker, hero of the Rebellion, but they end up mansplaining and tone-policing, then somebody tells them to check their privilege and they fall apart. There’d been one guy who got mad and accused us of creating a hostile environment, but most simply stopped showing up. Duncan, though, he’s stuck around.
Which is nice.
Despite the douchebro vibe, he’s cute as hell. He’s got a lean and tight body, well muscled but not ripped. I know every girl in our group has their eye on him—half the guys, too—but so far no one’s bagged him that I know of.
“Sorry,” I tell him.
“S’allright.” Ooo, what a smile. And those eyes … sparkle! Mmm-mmm.
This isn’t the right time. Maybe if we make it through this afternoon without being arrested, maybe we’ll go out for drinks afterwards, or back to Sass’s place to celebrate and I can drool over him there, but for right now we need to focus on the action.
“Okay,” I say, “I’ve got the clothes laid out on the side. If someone will pass them out.”
Les grabs a bag from the counter and reads the tag. “Tessa?”
“Up here,” a girl at the front says.
Les passes the bag down, then takes another one. “Duncan?”
Les tosses the bag like a frisbee, but it goes off course and pegs me in the face.
“Pass them out, I said.”
“My bad. Shawna?”
Duncan pulls the sweatshirt from the bag and puts it on over his T-shirt, then he places the ski mask atop his head like a hat. The final part proves the most difficult. We don’t have enough room to bend down, so he has to drop the sweatpants on the ground and step into them, then lower himself into a crouch to pull them up.
“Lori,” Les says and reaches their arm towards me. I grab the bag and start dressing myself. Looks like mine’s the last one.
“Okay,” Sass says. “Now I know some of you, this is your first action. Relax and don’t worry. As long as you remember the plan, everything will be all right. If you get arrested, it’s no big deal. You’ll spend a night in jail and be out on bail in time for lunch tomorrow. Keep your mouth shut and don’t say anything except, ‘I want a lawyer.’ I’ve got some cards, they have a phone number on them. Call it, give the person on the other end your information and they’ll take care of everything.”
She passes a stack of business cards to Shawna, who takes one and gives the rest to Tessa.
Despite the speech, the newbies look nervous. That’s good. If any of them looked confident, I’d be worried they were five-o. The cops have tried to infiltrate our group in the past, but we’ve always caught them before they could do much damage. The only time they actually stopped an action was when we were planning to graffiti the President’s hotel, and they ended up dropping charges because they moved on us too early and didn’t have enough evidence.
But today’s not like anything we’ve done before. This isn’t going to be a simple disruptive protest. We’re going for the big time here. That’s why we’re bringing so many newbs along—we can afford to lose them, but they don’t know enough to bring the rest of us down. They don’t even know the full extent of our plan for today. They think this is going to be like the Inaugural protest a couple years back, just marching in the street, making a spectacle.
“Everyone have a card?” Sass asks.
“I still need one,” says a girl named Genevieve—or as she insists we pronounce it, Zhone-vee-ev. Everyone calls her Jean for short.
Someone passes the stack to her and she takes a card, hands the rest to Sass.
“Okay then, I think we’r—”
“Guys, be quiet,” Miguel calls from the front. He pulls the curtain between us and him closed. A second later we hear a knock on the window.
Nobody breathes. Nobody moves.
“Yes, officer,” Miguel says. Shit. Just what we do not need right now.
We can’t hear what the cop says, but after a moment Miguel says, “I ran outta propane. I wasn’ expecting how busy it’d be today.” Another pause, then Miguel says, “Ah, nah, nah, my uncle, he’s gon’ bring me another tank.”
A really long pause.
“Yeah. Shoul’n’ be too long. Half hour, say.”
The cops says something else.
Then total silence. Thirty seconds go by. A full minute.
The curtain whips open. Miguel leans back and smiles, gives us a thumbs up. “All clear.”
“Thank the Goddess in all her glory,” Les says.
“You sure he’s gone?” Sass says.
“Yeah, he headed towards the Monument. He’s lost in the crowd. Even if he looks back and sees you guys leaving, he won’t be able to react in time.”
“Everything else clear?”
Miguel checks all the mirrors and even sticks his head through the driver side window. “We good.”
“Then let’s do this!” Sass shouts.
We all cheer back, and I twist around to open the door.
We pour into the street, pulling down our ski masks as we jump out. Sass and Les have the bats, and they pass them out as we form into a troupe. Duncan heads straight into the street and holds up his hand to block traffic. We charge across the street.
Miguel had parked across from the south-east corner of the Ellipse. Some of the overflow from the protest has moved over there, mainly people who want to take a breather, but compared to the Mall it’s pretty sparse.
The actual Ellipse—the circular road that gives the park its name—has long been closed to traffic and turned into a parking area for White House personnel. And this is supposed to be the people’s property! We’re lucky they haven’t banned the public from the park entirely—they’ve already extended the “security area” around the White House into the north end. The road into the park is blocked off by giant flower planters full of marigolds that have withered in the extreme heat, but the sidewalk is open. We follow it down.
Sass is on the phone next to me. “Yeah, we’re moving now. Get ready.” She hangs up. “Olatunde and the others are in place. C’mon.” She sprints ahead, forcing the rest of us to pick up our pace to keep up.
Protesters are staring at us like we’re maniacs. I’m not surprised. Most of them probably voted for Hillary—sure, some of them might’ve supported Bernie in the primaries, but they went with her when it counted. They could’ve voted for Dr. Stein, but no, they actually believe that nonsense about choosing the lesser of two evils. They’re exactly the reason America’s in the state it is. If sheeple weren’t brainwashed into voting for morally compromised corporate shills, we could’ve had an honest election about values, and we wouldn’t be in this situation. But no, they had to go with the corrupt status quo—and then they blame those of us who didn’t for everything that’s going wrong. They refuse to see that both sides are fascist, it’s just one is more open about it.
We reach the end of the path and cross the road to the center of the park. There are people with blankets spread on the ground, their protest signs laid out beside them. Somebody has their phone hooked up to speakers, they’re pumping out beats, and in the distance I see a group playing frisbee. Are these people really here protesting?
But the good news is, I don’t see any cops or other security. Good. We want to get noticed, but not just yet. First we have to get to the north end of the park.
We turn and run, following the path along the road. Les takes a swipe at a black SUV, shattering a headlight. Duncan takes that as a cue, and he chops his bat down on a side-view mirror, snapping it clean off.
“All right!” Tessa shouts.
“C’mon,” I clap. “No war! No KKK! No fascist USA!”
The others take up the chant.
Now we’re attracting real attention. People are taking out their cell phones to film us. Good. Our actions gain power the more people can see them.
The first cop appears as we approach the fence line. He holds back, clearly afraid of us. That’s the great thing about wearing all black like this—it makes us look tougher than we are. Cops never want to tangle with us unless they have plenty of back up. He stops twenty yards away and speaks into the radio clipped to his epaulet.
While he’s distracted, those of us with bats approach a sports car—all red and shiny, must belong to somebody important—and begin wailing on it. Les smashes the windshield. Sass takes a couple swings at the rear window but doesn’t manage to do more than crack it, but Duncan dents the hood and front grille. I take out my Swiss Army knife and slash the front tire. In less than a minute, we’ve got the thing wrecked. Whoever owns this is gonna be sobbing when he leaves to go home—and the car’s such a penismobile, you know it’s gotta be a he. I’m hoping it’s Klausner, the President’s son-in-law.
By the time we’ve finished with the car, more cops are hurrying over, and a couple guys that must be Secret Service.
I notice one of our group—Shawna, I think, but it’s hard to tell when everyone has a mask on—standing away from the rest of us. That’s not good. She’s gonna be an easy mark when the cops come at us. We need her to give them a merry chase before they take her down.
I go over to get her, but she shies away from me.
“What the hell’s going on?”
“No, no, no, no. Nobody said nothing ‘bout none this.”
Yeah, it’s Shawna. She’s one of our newest members, and this is her first action. I thought she knew what our group was. I mean yeah, we hadn’t divulged the full extent of our plan for the day—just in case one of the newbies was a narc—but she must’ve known we were gonna be doing something like this. Otherwise we’d be out with the regular protesters, waving signs and chanting.
“C’mon, or you’re gonna get—”
“Stay where you are. You’re all under arrest,” a cop says. He hasn’t drawn a weapon, but his hands are on his pepper spray cannister and tazer.
“Go to hell, you fascist pig!” Les shouts.
“I’m warning you, it’s best if you submit peacefully.”
I count about five cops here now, and two Secret Service guys. That’s nowhere near enough. We’ve gotta draw more attention. “Let’s split up,” I say and make a run for the road, dragging Shawna with me.
“Wait!” the cop shouts.
When I get to the other side of the street, I smash the window on a minivan. My bat connects with the glass hard enough to leave a spiderweb of cracks, but the glass doesn’t shatter. The blow sends a shockwave up my arm, so harsh it feels like my shoulders are about to pop out of their sockets.
“Oh my God, we’re going to get arrested!” Shawna says.
“Yeah, probably. Didn’t we make that clear?”
“For like trespassing, or refusing to disperse. Nobody said anything about vandalism.”
“These vehicles belong to fascists. Why should you care?”
“You’re fucking crazy. I’m outta here.”
She breaks into a run, but she only gets a dozen yards before a cop tackles her. While he’s busy with her, I turn and run the other way.
Across the street, it’s total chaos. Black-clad figures are running every which way, trampling over people’s picnics and through frisbee matches. The cops are in pursuit, but they’re outnumbered. One of them takes down a girl—Tessa looks like, judging by her thick build—and cuffs her. But now that she’s a prisoner, he has to do something with her. That means withdrawing and leaving his comrades a man down.
But not for long. More cops are pouring into the park, and Secret Service, too. Sirens start to sound in the distance as reinforcements make their way towards the Ellipse.
I look towards the security perimeter in the north. There are three figures sprinting across the field beyond the fence. Yes! Olatunde and the others are through. We can pull back now.
I take out my phone and open a text message I’d prepared earlier. The message is nothing more than “go,” but I doubt anyone will read it. The sound of an incoming text will be the signal. I tap the SEND icon and a spinny circle appears for a couple seconds. With a million people around, the phone needs a moment to push the message through. Figure another couple seconds for it to bounce off the cell tower and back to the recipients. Sass and Les have similar messages ready on their phones, that way if one of us were arrested, incapacitated, or just plain too busy, there’d still be someone to send it.
I don’t wait to see if the message got through. I hightail it out of the park, cutting across the grass towards 15th Street. We need to get the cops outta here, away from Olatunde and his team. On my way I whip off my ski mask and toss it aside.
There’s a wooden fence around the edge of the park, but it’s a flimsy thing made of wooden slats, meant only to encourage people to enter the park through the designated entrances. In a number of spots, it’s been blown nearly flat. I head towards one of these and vault over it. I haven’t run track since eleventh grade, nearly a decade ago, but I make the jump no problem.
I hit the sidewalk and run towards the Mall, dodging past people who are starting to head home.
I pass a trashcan and toss my phone into it, making sure it sinks deep inside. It’s only a burner, and I’d paid cash for it, but there’s always the possibility the cops could trace it back to the store and get security camera footage. Even that won’t do them much good, though; I was wearing a baseball cap the whole time I was in the store, and I made sure to keep my head down so the cameras couldn’t get a good look at me. But you always want to send the pigs through as many hoops as you can.
The street is lined with charter busses and food trucks. I stop and hide between a couple so I can take my sweat suit off—it’s too conspicuous in this heat. A cop could spot me from a block away. I tear my sweatshirt off and toss it on top of a truck. I’m about to drop my pants when a man shouts at me from across the street. Even without looking over, I can tell he’s po-po. It’s the tone of his voice, that “I don’t take no shit from anyone” attitude that all cops have.
He steps into the street, raising his hand for traffic to stop, but a car blasts by him without even tapping its brakes. He jumps back.
While he’s distracted, I step back to the sidewalk and start running. I reach the corner, not far from where we’d entered the park, and sprint across Constitution.
Miguel’s food truck is still there—he’s got it open again and is serving a mid-sized family. Be a good place to hide, but with a cop on my tail, I don’t dare. I keep running, south onto the Mall.
“Hey! You! Stop!”
I don’t look behind me, but I can tell the cop’s closing in on me.
I plunge into the crowd, cutting in front of a group of Asian tourists who are gawking at the Washington Monument despite everything that’s going on around them. I elbow my way deeper, not paying attention to the nasty looks people are giving me. The cop keeps on shouting, but his voice is getting more and more distant.
I come to a stop in front of a huge TV. The thing is bigger than my living room floor! A crowd has gathered to watch Elizabeth Warren speaking in front of the Capitol. The people around me are eating up her speech. Don’t they realize she used to be a Republican? How can they trust her? Idiots. They’ll take whatever the Democrats shovel out, even if it’s conservative politics with the edges filed off. And they probably call themselves “progressives.”
I need to get my sweatpants off. Those are the one thing that could give me away. But I can’t very well strip here—it’d draw too much attention, even if I do have shorts on underneath. But where else can I do it? There are port-a-potties nearby, but the line is ridiculously long.
Maybe I should get on the Metro and head home. The nearest station isn’t too far off. By the time I get back to my place, anyone who’s been captured should be booked. I can call Weiner-Hartman-Ferrell and find out how many calls they’ve gotten so far.
“Hey.” A hand clamps down on my shoulder and I jump nearly outta my skin, but it’s just Duncan. He’s sweating and outta breath—he wipes his forehead on the sleeve of his—oh, shit, he’s still got his sweatshirt on. People are looking at him funny. Even if they don’t know what’s going on precisely, a guy wearing long sleeves in ninety-plus weather must be up to something, especially if he’s dressed in black.
“Let’s head outta here.” I tug his arm.
As we walk, he pulls the sweatshirt off, but he keeps it in his hand, which I suppose is an improvement.
“Did you see what happened to the others?” I ask.
“George and Shawna got arrested, I know that. Saw a couple others running out the park, but they had cops on their butts. No idea who they were. And, uh, Les and Sass—they were headed towards Pennsylvania Av last I saw.”
“Let’s head up there.”
We keep to the thickest part of the crowd for as long as we can, which takes us towards the Natural History Museum. I don’t wanna go near there. I’d called in sick this morning. The last thing I need is for someone to spot me out here. Brad likes me and cuts me a lot of slack, but there are limits. If he finds out I’m playing hooky, I’ll be in trouble.
And I’m right to be worried, cuz as we’re nearing 12th Street, I spot River moving down the sidewalk. I’ve never liked that guy. He’s always quiet, and you try to talk to him he just nods and mumbles, doesn’t say anything other than “yeah” or “no” no matter how much you say to him.
Duncan and I are almost to the edge of the crowd, but I turn back so River can’t see me even if he looks over.
“What is it, a cop?” Duncan says, following my lead.
“What? You take part in the capitalist economy? Didn’t think you were the type.”
“Food costs money, so does a roof. Even Marx had a job.”
River’s headed away from us now, so we resume our trek north. We move beyond the fringe of the crowd and onto 12th Street, keeping to the side of the road farthest from the museum.
We’re halfway to Constitution when I spot Jean up ahead. She’s managed to ditch her sweatsuit and looks like any other middle class, African-American woman out protesting—which, considering the crowd is overwhelmingly white, means she still sticks out.
“You guys seen anyone else?” she asks.
I shake my head and Duncan tells her what he told me.
“Yeah,” Jean says, “I saw George get arrested. Adriana tried to run for the entrance, but a squad car pulled up before she got there. I think a couple guys got out on the far side of the park.”
“So what do we do? Call it a day, go home, or try to meet up with Les?”
“The thing is, the cops are not reacting well,” Jean says.
“Whadaya mean?” Duncan says.
“I dunno what Olatunde did, but he pissed somebody off bigly. More than we expected. The cops are really out searching right now. Not just on foot, either.”
As if on cue, one of DC’s finest passes the end of the block, making a slow sweep of the street. We’re far enough back that the officer can’t see me and Duncan’s black sweatpants, but if the car turned down 12th, we’d be caught.
“Well, it’s not like Les’s never spent a night in jail before,” I say.
“I guess,” Jean says. She’s been on a couple actions with us, but never one where there’ve been arrests.
“Look,” Duncan says, “I vote we get the hell outta here. Isn’t there a Metro station up ahead?”
“Yeah,” I say. “Federal Triangle.” That’s the one I usually use when leaving work.
Jean doesn’t look convinced, but she nods. “Sure.”
We cross Constitution and enter a canyon of Federal buildings, all of them ugly, fascist-looking stone hulks.
And speaking of fascism, there’s a TV van parked on the street—WTTG, Fox5.
“Excuse me.” A blonde woman pokes her head through the window. She’s got so much hairspray on that her hair doesn’t budge when she tilts her head. “Are you guys protesters, by any chance?”
“Fuck you, Nazi Barbie,” Jean says, emphasizing her point with an upraised middle finger.
“No need to be nasty,” the woman replies.
“To you, yeah there is,” Duncan says.
We hurry past.
We’re almost to the station when a couple figures turn the far corner. From the waist up they’re wearing regular clothes, but they have on the familiar black sweatpants of our group. Les and Sass. They’re both running at full speed, and the reason why soon becomes apparent—they’ve got a cop car on their tails.
“Ah, no,” Jean says.
This is definitely not good, but we aren’t caught yet. “This way!” I wave for everyone to follow me.
The Federal building to our left curves back from the street, forming a semicircular plaza. There’s a colonnade around the first floor of the building, and in the middle of it is an open passage to the interior of the block. That’s where I head, vaulting over a heavy concrete flower planter—the sort that’s supposed to prevent a car bomb from getting close to the building, which means the cop car can’t get through either. They’ll have to get out and chase us on foot, or else circle the block. If we’re fast enough, we can break away.
The others follow me under the archway. Jean heads towards the escalators for the Metro, but I call her back. Federal Triangle is one of those stations that only has one exit, so if we go down there, we’ll be trapped. All the cops have to do is stop the trains while they search for us.
Instead I run straight through to the other side and into a second plaza—really a glorified alley between two sets of buildings. There are sculptures, and benches, and cafe-style seating, but ultimately it’s an alley with a wide area in the middle. Though part of that area’s been cut away, making a circular pit with a bunch of shops and restaurants at the bottom.
Maybe we should head down there, hide out.
No. At this time on a Sunday, the stores will be deserted, probably getting ready to close. If the cops check down there, we’ll never get away.
Our best hope is to head north. If the cops stay in their cars, they’ll have to go almost all the way around the block to catch up with us. We have a chance of beating them.
I break to the right. The walls close in until the passage is barely wide enough to accommodate a vehicle. The shadows are deep here, the buildings around us blotting out the sun, but even with the shade it’s oppressively hot. By the time we get to the end of the alley, I’m gasping for breath.
And then we come out onto the street, and it’s even worse. We can’t go on like this. If we keep running in this heat, we’ll keel over in no time. We have to find somewhere safe and air-conditioned to hide out.
There’s a possibility. I don’t like it. It’s going to mess my life up if we go there, but if the cops are as worked up as Jean says, we’re gonna have to.
“Come on,” I say. “I have an idea.”
There it is. The end of the block up ahead. The Natural History Museum. If we can get in there, we can hide.
The trick is, getting in there. We’ve been running for two blocks now. That doesn’t sound so far, but in this heat … ohhh. I’m gonna drop dead. This is too much. Global Warming.
But we need to run. Have to keep running. We’d snuck past the cops on 12th Street—looked like they were searching the station, thank the Goddess, with only a single officer up on the street—but we can’t let our guard down. There are other prowl cars around. We’ve caught sight of them in the distance, still searching for us.
Our luck only needs to hold out until we reach the museum. Maybe fifty feet. We can do this!
But it can’t be that simple. Of course it can’t.
We’re almost to the corner when a cop car passes ahead of us. It’s a T-intersection with no stop signs for the cross-street, but the car’s rolling along at a crawl. The pig behind the wheel looks over at us. We’re in the shade of a tree, but otherwise he has a clear view.
He flips his siren on and stomps the gas, turning across the intersection towards us. The sun flashes across his windshield, nearly blinding me, but for a second I have a clear view of him with a mic to his mouth. I can’t hear what he’s saying and I can’t see his lips moving, but I can guess exactly what he’s saying.
“Book it!” Sass shouts.
We run into the road, barely even checking for traffic. A car whizzes behind me, the driver laying on his horn. Another squeals its brakes as it comes to a halt with its nose in the intersection. We hit the sidewalk and sprint for the museum doors. I yank them open and usher everyone inside. The guard inside looks up in surprise, but relaxes when he sees me.
“Hey, Lori, awfully late to be comin’ in.”
“Yeah, busy day.”
I cast a glance back at the street. The cop’s gone up to the end of the block and is making an illegal U-turn, his siren still screaming. Like a wolf’s call, it’s answered by more in the distance. We don’t have much time.
I step inside, and I’m bathed in air so cool I feel like I’ve been transported to the arctic. Ten seconds ago I was burning up, and now I’m shivering.
We’ve come in through the museum’s rear entrance. Because the building’s built into a slope, we’re on a different floor from the main lobby, and there are no exhibits down here, only the cafeteria and gift stores. The hall’s virtually deserted, and the cafe only has one family eating inside.
“Where is everyone?” Duncan says.
“Protest scared ‘em away. It’s been dead all day, other than the movie upstairs.”
But that’s okay. I wasn’t planning on hiding in a crowd.
“Why don’t you stay back and keep an eye out,” Sass suggests to Jean.
“Yeah, okay.” She nods.
I head towards the souvenir shop. It isn’t particularly busy either, just a middle aged man poking around the puzzle section. I approach the counter. Amy and Brad are the only employees I can see, and they’re both hunched over a cell phone, watching a video.
“Ah, man.” Brad laughs. He’s a little older than me—he’s never mentioned his age, but when we talk about our childhoods he’ll occasionally drop a reference to fads and cartoons that were before my time. He’s pretty chill for a manager, at least when it comes to female employees, but even so I’m pushing my luck by showing up after calling out sick.
But too late for that now.
Amy taps the screen and slides her finger to the side. “This is never gonna get old.” She’s much younger, a twiggy college student, super bourgeois. Her parents are covering all her tuition and living costs. The only reason she has a job is so she’ll have money to go clubbing once the new semester starts.
Brad is leaning over her as they watch the video, his nose so close to her hair he must be able to tell what kind of shampoo she uses. He doesn’t see me until I’m in front of the counter.
He looks up with a start. “Lori. What the hell are you doing here? I thought you were sick.”
“No,” I admit. “I went to the protest.”
“Oh. Don’t let River find out. I hadda call him in, and he was not happy.”
“How can you tell?” Amy says. “The guy’s like a robot. ‘May I help you?’ ‘Is that all for you?’ ‘Have a wonderful day.’”
“I’m sorry, but this is important and we don’t have a lot of time,” I say.
“What? Did you forget your paycheck?” Brad reaches under the counter for the binder where we keep the checks.
“No. No, we’re in trouble and we need help.”
“Call for back-up.”
“Intruder on the South Lawn. Go to lockdown.”
I look down at Amy’s cell phone. The video is jumbled for a moment, just flashes of green and black and blue, but after a moment the camera operator gets everything under control and steps back, revealing a pile of men in black suits on top of a large, squirming African-American man.
“Ah, some guy broke onto the White House grounds, jumped Bast Kroga in the middle of an interview. Just ran up and—bam!—right in the nose. It’s like five kinds of awesome.”
We don’t have much time, but … “Can I see that?”
Without waiting for an answer, I grab the phone and rewind the video. There’s Kroga talking on Fox News. There’s some noise off camera, someone shouts, and then—yes! Olatunde barrels onto the screen and plows his fist into Kroga’s face. This wasn’t exactly what we’d had planned—our goal was for Olatunde to make it into the press room and deliver a statement denouncing US military aggression—but this will probably bring more attention to us.
Though at the same time, it means extra trouble for us. We do something this eye catching, the government’s going to come down hard on us, just like they did after the inaugural protests. No wonder the cops are running a dragnet. They’re sure to come up with some bullshit federal charge against us.
If they catch us, that is.
I hold up the phone. “This was us.”
“What was you?” Amy says.
“This. We’re with DI45. You know, the group that protested the inaugural?”
“You mean the rioters?” she says.
Of course. She’s one of those people. The first time we’d worked together, politics had come up and she’d turned out to be a total Hillary-bot, blaming Bernie for Hillary’s loss and refusing to recognize that the Democrats nominated a lousy candidate. She’s the sort of person who thinks she’s a left-wing progressive, but she spouts neo-liberal talking points.
“Yeah,” I say. “That’s us. And we were doing it again, just now. And now the cops are after us. We need to hide.”
As if on cue, Jean runs into the store. “They’re here.”
“And you want us to help?”
“C’mon, Brad, you’re our only hope.”
He thinks for a moment, then turns to Amy. “Can you hold down the register by yourself?”
She looks around the empty store, shrugs. “Yeah, sure.”
“And pretend you don’t know anything, the cops come in,” Sass says.
“Fine.” Amy’s less than enthused, but I get the feeling she’ll keep her word.
I hope she’ll keep her word.
“Okay, c’mon.” Brad steps from behind the counter and leads us to the back of the store. He stops at a door and punches a number on a keypad. An electronic chime whoops twice and he opens it.
We step through to a dimly lit corridor with doors along one side—the break room, an employee restroom, and a small storeroom. At the end of the hall there’s a pair of heavy-duty metal doors with an exit sign above them, but a huge red and white sticker warns, “ALARM WILL SOUND IF DOORS ARE OPENED.” Beyond this is the loading dock, but only Brad and Keisha have the keys to get through without triggering the fire alarm. This is the main reason I grabbed Brad instead of using my own passcode to get back here. Well, that and if Brad had seen us going back without knowing what was up, he might’ve called the cops himself.
Once we’re all in the hallway and the door’s closed, me and the others take the opportunity to take off our sweatpants. We stuff them into a trashcan in the break room. Duncan and Les rearrange the garbage so the pants aren’t visible at first glance.
“Can you let us through?” I nod towards the loading dock door.
“We need to get outta here. That’s the fastest way.”
“I’m only supposed to open that door if we’re getting a truck.” The loading dock is also used by the museum people when they’re getting new specimens, so it has access to the parts of the building that are off limits to the public—the labs you see on Bones, I suppose. I’ve never been able to get back there myself.
“Look, you’ve already let us in here,” I say. “If the cops want to search the whole store and they find us, you’ll be in trouble too.”
I’ve got him and he knows it. “Yeah, okay.” He takes his keychain off his belt loop and flips through to find the one he needs. He twists the key in the lock until something beeps, then pushes through.
The loading dock is dark and deserted—unsurprising for a Sunday afternoon—and the metal shutters over the loading bay are locked, but Brad has a key to these as well. With nobody around, we can get outside, no problem.
But before Brad can get the dock opened, his phone rings.
“Don’t answer,” I tell him, but he does anyway.
“Yello? … Yeah … Yeah, I understand … Yeah, let them through.” He hangs up. “That was Amy. Cops wanna check the backroom.”
Dammit. That was faster than I expected. I figured they’d search all the public areas before they wanted backstage. But at least Amy can only let them into the break room. Without Brad, they can’t get into this part of the building unless they get the museum’s administration to let them in.
I’m about to urge Brad to open the loading dock and let us out when I’m startled by a loud, creaking noise from the other side of the bay. For a moment I think it’s the cops, that somehow they’ve managed to outflank us, but it turns out to be a couple of women and a guy coming out of a dark stairwell that’s marked OFF LIMITS. I recognize the women as museum employees—the actual museum, not the gift shop or cafeteria. I’ve seen them around before, but we’ve never talked—they never talk to the peons. The guy is a stranger to me, but the way he’s got his arm around one of the women, he must be a boyfriend or husband.
“—so much shorter than I expected,” one of the women is saying.
“And his voice sounds deeper on TV,” the other one—the one accompanied by the guy—says.
For his part, the man says, “I’m just surprised he didn’t like the new Star Trek. I thought it was awesome.”
They disappear around a corner, towards the door that leads to the museum’s back area, without ever glancing in our direction. I hear a beep and the door opens. Their voices disappear through to the other side.
But the other door, the one they’d come through, is hanging open. It’s on one of those pneumatic arms that’s supposed to pull it closed, but it’s stuck half way.
“What’s down there?” Les says.
“Tunnels,” Brad says. “They connect all the museums.”
“All the museums?” Duncan says.
“That’s what I heard. I’ve never been down there myself—it’s off limits.”
“There’s a museum on the far side of the Mall, right?” Duncan says.
“The Castle,” I say.
“Then if we can get to it underground …” Duncan says.
He’s right. If we go out through the loading bay, there’s still a chance the cops will spot us, but not if we go underground. And the Castle is right next to the Smithsonian Metro. “Yeah, let’s go.”
“I’m not sure that’s a wise idea,” Brad says.
“You don’t have to come,” Les says.
“I can’t get back to the store while the cops are snooping around the back.”
“Sounds like a personal problem,” Les says.
We head for the door. Brad hesitates for a couple seconds then comes after us.
We descend a badly lit stairwell, looks like it hasn’t been renovated in decades—if ever. There’s dust on the hand rails, and cobwebs on the ceiling.
“This isn’t used much anymore,” Brad says. “Somebody told me it’s from the olden days, they needed to pump steam from the Castle to the subsidiary museums because they didn’t have boilers of their own.”
“So why were those people down here?” Sass says.
“Haven’t a clue.”
We reach the bottom. It looks like a huge broom closet, with tools and cleaning equipment stacked against the wall. And there are indeed pipes running along the ceiling, so low that Les and Duncan have to duck their heads.
There’s only one way we can go from here—down the tunnel. It’s no better lit than the stairwell, but it is lit … which is weird. Why waste the electricity? Did the museum employees forget to hit a switch when they came up? You’d think people into science would care more for the environment.
We’ve gone some distance—it’s hard to judge down here, but I think we’ve gone far enough to be under the Mall—when Les stops short. Since he’s in the lead, the rest of us end up piling into each other.
“Listen,” he says.
I don’t hear any—no … there are people talking in the distance. Someone laughs, real loud.
“Oh shit,” Brad says.
“What?” Sass says.
It takes me a moment for me to figure out what he’s talking about, but then it hits me—the museum’s IMAX theater has been showing the new Liam LaGrange Bassett documentary all weekend, with a special Q&A session afterwards with the doctor himself.
“The last showing got out an hour ago,” Brad says. “They’re probably giving him the behind-the-scenes tour now.”
That would mean those are the museum bigwigs up ahead. Those folks earlier, they’d been down here hobnobbing. And unless we can find a branch tunnel to one of the other museum’s, we’re going to run right into them.
Either that or we have to turn around and go back—but even then, we might not get out of the loading dock before these guys catch up with us. Damn.
“We can get past them, I bet,” Duncan says.
“It’s possible,” Les says.
“Whoa, whoa, whoa. This is way more than I bargained for,” Brad says.
“You chose to come,” Sass says.
She’s right. I like Brad. He’s a decent guy, not too exploitative for a capitalist lackey. But you’ve gotta prioritize what’s important. Watching a YouTube video’s not going to topple this fascist regime. Only those of us out here fighting for what’s right can do that. And to do that, we need to get away. We’ll do no good in a cell.
“Go back if you’re afraid,” I tell Brad.
“Yeah. I think I will.” He turns and heads away.
“Okay, so do we just rush at these guys?” Duncan says.
“The only way out is through,” Sass says.
“If we run at ‘em and yell, I bet they’ll step aside and be too confused to do anything,” Les says.
So that’s the plan. “On three,” I say. “One. Two. Three.”
I take off running and so does Les, but the others wait a second before they follow. Come on, guys. I said “on three.” On. You know what that means?
Well, too late to do anything now. The museum employees are dead ahead, their backs to us.
“Yooooooooooooooooo!” Les screams.
They jump at the noise and most of them step aside, but one man just turns and stares at us in bewilderment. He’s heavy, too, and takes up a large portion of the tunnel. There’s no way around him. Les tries, but he trips and goes flying face first onto the floor. I stop short.
One man adjusts his glasses in a way that says he’s in charge. “Who are you people? How did you get down here?”
But before I can respond, the tunnel rumbles. For a moment I think we must be under the street and a large truck is passing over us, but the shaking is too intense, and goes on too long.
“Earthquake,” a man says from the back of the crowd. I recognize him from television. Liam LaGrange Bassett. “I don’t suppose this was designed to withst—”
He doesn’t finish the sentence. The ceiling chooses that moment to crack open and pour a ton of dirt down onto us.
To Be Continued...
The waitresses are looking at us funny. I can’t blame them. Twenty-odd teenagers dressed as anime characters crammed around a table—yeah, we’re freaks. Go ahead and snap some photos, post them to Instagram. “Hey, look at these weirdos who came into my work today! Can you believe these losers?”
I wish we’d gone home, straight home, when the convention let out, but my dad and the other chaperons wanted to grab coffee before getting on the Metro, so here we are. They’re all over at another table, chatting. They said they didn’t want to get in our way, but I expect they’re tired of dealing with a bunch of high-strung teenagers.
I know I am.
I’d rather be at a table by myself, reading some of the manga I’d picked up at the con, but my dad insisted I sit with the group. It’ll be good for me, he said. It’ll help me make friends. We can talk about our shared interests.
So now I’m sitting at a corner of the table, trying not to look like a loser who isn’t part of the conversation around her, even though I am, in fact, a loser who’s not part of the conversation around her.
“I don’t get it,” Elijah says. He’s in an old fashioned black tailcoat, looks like he should be helping a woman in a fancy gown out of a coach. “Why do they announce series so far in advance? I mean, they show these previews and we’re all like, ‘Whoa, that looks so a-mazing!’ then they tell us, ‘Yeah, it’ll be out in another two years.’ It’s like, I’m going to be in college by then.”
“If the world don’t blow up first,” Faythe says. She’s wearing a Sailor Moon costume, and even has her hair dyed blonde and tied up in dango buns. Somehow Faythe doesn’t look ridiculous dressed like that. She could probably wear a garbage bag and look good.
“The world’s not going to blow up,” Ed says. “That’s the Fake News media talking. They want to scare everybody into thinking the President’s screwing up. He’s not.” Ed’s dressed in an outfit from some mecha show—one of the Gundams maybe? I dunno, I’ve never liked mecha, and all the Gundams look alike to me.
“Ed, shut up,” Elijah says.
“How’re you guys doing?” Our waitress stops by.
We mutter, “Good,” and “Fine thanks,” in a jumbled response.
“More tea,” Faythe says.
“Another Coke,” Ed says.
“How ‘bout you, sweetie?” the waitress asks me.
“No, I’m fine.”
“You sure? You hardly ordered anything. If you don’t want an entrée, we’ve got dessert.”
All I’m having is a Dr. Pepper and an appetizer platter. Dad said I could get whatever I wanted, but I know he’s already blown a few hundred bucks on the convention, so I’m trying to go easy on his wallet. “I’m good.”
“’Kay.” The waitress moves down the table to take more refill requests.
“Oh hey,” Mandy says, “did I show you guys the pics I got with IKB-45?” Unlike most of us, she’s not in cosplay—her hair is dyed purple, but that’s normal for her, as is the black leather jacket she has on, and the fishnet stockings she’s wearing as gloves. Back in middle school she’d been a loser like me. We ate lunch together—or at least at the same table, though since we both read the entire time, we’d never really been friends. Back then she’d worn hand-me-downs from her sister, who was old enough that her clothes were out of fashion by the time Mandy got to them. Being an only child, I’d always had new clothes, even if my dad bought them from the clearance rack at TJ Maxx, and I’d actually felt superior because of that. But in the summer between eighth and ninth grade, Mandy had metamorphosed. She dyed her hair (green at first, then blue and red, and finally violet), gotten a barbell piercing through the top of each ear, and started wearing all black. Guys who used to make fun of her now thought she was freaky-scary and stayed away.
She takes out her cell phone and taps it a couple times before handing it to Faythe.
“What? How’d you get pics with them?” Faythe says.
“I ran into them in the elevator last night.” Unlike me and my dad, who’ve been going home every evening, Mandy, Faythe and the others have been staying in a hotel near the convention center. Most of the conversation today had been about the parties they went to last night.
Faythe flicks through the photos. “Jealous!”
“Come on, it’s not like they’re a real band,” Ed says. “They don’t even play instruments. All they do is dance and sing—and they aren’t even good at that.”
For once I agree with him. IKB-45 is a manufactured pop group. The members are interchangeable—literally. At any one time, there are forty-five of them—hence the name—and they’re divided into five teams that travel around doing concerts. If one girl retires, they simply promote an understudy to take her place. I read somewhere that there’ve been more than two hundred members over the years. That’s crazy.
How anyone can like music that’s put together on an assembly line, I can’t fathom.
“You know what I heard?” Chris says. Like me, he’s in a Survey Corps uniform from Attack on Titan. Judging by his ascot and the bandanna tied over his head, he’s supposed to be Levi. “The whole idol thing is a scam. The guy who runs the group makes the girls sleep with him to get into the band. He’s like Hugh Hefner.”
“Who?” Mandy says.
“He created Playboy,” Ed says.
“Yeah, so every night at his mansion, there’s this huge orgy, and he invites all the rich and famous men in Japan to come over and bang these sixteen year old girls.”
“That is not true,” Faythe says. She hands the phone to Elijah, who quickly thumbs through the pictures and passes it to Ed. Ed doesn’t even glace at it, hands it straight to me.
The first picture shows Mandy standing with five Japanese girls, all dressed in identical frilly skirts with matching jackets. The girls are all making peace signs at the camera.
They are cute. I can understand why guys like looking at them, but the popularity of their music is another matter. Anytime they do an anime theme song, I end up fast-forwarding through the credits. They sound like gerbils on helium.
“I dunno,” Elijah says. “There’ve been some nasty news stories about idol groups—remember the one who committed suicide last year? Or the girl who shaved her head after getting caught with a boyfriend?”
I flip to the next photo. It’s a two-shot of Mandy and Kyouko Tamura. Even I know who that is—she’s famous as the “tough” member of the group who supposedly got into all kinds of fights when she was in school. Looking at the two of them together, maybe it’s true. Kyouko isn’t even as tall as Mandy’s shoulder, but even though Mandy’s in her leather jacket, she doesn’t look half as tough as Kyouko.
“That proves my point, though,” Faythe says. “If that stuff were true, it’d be all over the tabloids. Anime News Network and Kotaku would report on it. But they don’t.”
I look at the remaining photos. They show Mandy posing with various members of the group. One of them is making a funny face, like she’s barking at Mandy.
“The companies that run idol groups are part of the yakuza, that’s why it doesn’t get reported,” Ed says. “Japanese media is afraid to touch the subject, and sites like ANN don’t do investigative reporting—they just repeat stuff from Japanese sites.”
“You’re making that up. You don’t know anything,” Mandy says.
“I so do,” Ed says.
I pass the phone over to Chris. “Ooo, can you text me this one?” He holds up the photo of the barking girl. “That’s super cute.”
“You’re not going to jack-off to it, are you?” Faythe says.
“Yeah, but don’t worry. Only to Hana-chan, not Amanda.”
“Don’t be gross,” Faythe says.
“What? I’m not good enough for your fantasies?” Mandy asks with mock-dramatics.
“I can fantasize about you any time.”
Faythe covers her ears. “Not listening! La-la-la-la!”
“Nope,” Mandy says. “I won’t text it to you unless you promise to imagine a three-way with me and that girl.”
“Okay, fine, as soon as I get home, I’m going to lock myself in my room and whack-off while imagining you lezzing out with this girl. That make you happy?”
“Yes, very much so.” Mandy preens.
“Here ... are your drinks.” The waitress puts a pitcher of tea in the middle of the table and hands Ed a glass of soda. She’s heard the conversation, or enough of it at least. If she’d been looking at us weird before, now her expression is that of a woman who’s discovered cockroaches performing The Sound of Music. “Let me know if you need anything else.” She moves down the table and hands out more refills.
“So,” Faythe says, “changing the subject. Anyone read the new Realist Hero yet?”
“I’m waiting for the books to get beyond the anime,” Mandy says.
“They did that like two books ago.”
“Really? I gotta pick it up then. You loan me a copy?”
“Sorry, digital only.”
I have no clue what they’re talking about. I think I’d watched an episode of Realist Hero—I watch at least one episode of everything on Crunchyroll—but I can’t remember anything about it. One of those stupid stories about a guy who gets stuck in another world, I think.
Further down the table, I catch snippets about Railgun, but they’re talking about the manga, which I’m not current on. I tune them out before I catch any spoilers.
“Hey.” Ed pokes me in the shoulder.
“I’m sorry, I’ve been wondering—are you a real anime fan?”
Huh? “Yeah.” Why else would I go to a convention?
“It’s just you’re dressed like that.”
What’s wrong with my costume? I though I’d done a good job with it. People had been coming up to me at the con and asking me where I bought it. They’d been amazed when I said it was homemade.
“I mean, Shingeki no Kyojin?” Why’s he using the Japanese title? “Even people who don’t watch anime know what that is. It’s on Cartoon Network, fer Christ’s sake!”
“Yeah, with the filthy casuals.”
The filthy what?
“Do you know any real anime?” he asks.
Isn’t Attack on Titan a real anime? It’s a cartoon. It’s made in Japan. Aren’t those the requirements? “How do you mean?”
“Have you ever seen OreImo?”
“Isn’t that the gross one where the guy wants to have sex with his sister?”
“You shouldn’t say it like that, it’s racist.”
“What? That’s not racist. Incest is gross.”
“The Japanese, they have different values than us. You can’t judge them by American standards. OreImo is a touching love story about a forbidden romance. If you’re a true anime fan, you embrace that. You learn to understand the Japanese culture that produced it.”
Wasn’t he badmouthing idols five minutes ago? That’s Japanese culture, too. “I can’t get into something like that,” I say.
“Okay, then what about mecha. What’s your favorite mecha series?”
I can’t stand mecha. All those shows have convoluted plot lines, and too many factions backstabbing each other. Though that one Urobuchi created, that hadn’t been too bad. “Aldnoah, I guess.”
“Oh come on! That’s another series for casuals. Are you really an ani—” A straw wrapper bops into his forehead.
“Oi. Ed. Leave her alone,” Mandy says.
“What was that for?”
“How many times do we have to tell you, don’t be a dick to people.”
“I’m not being a dick. I’m just asking her about her tastes.”
That felt more like an interrogation.
“Everything going all right?” Elijah’s dad asks.
He surveys the table. “Is everyone about done?”
“I think so, yeah,” Elijah says.
“Good. We should head out before the protest on the Mall ends. I spent the last three days in a convention center full of sweaty teenagers. Last thing I want is to spend the rest of the afternoon crammed on a train full of sweaty protesters.”
My dad had been watching the news this morning before we left for the convention, and they estimated there’d be half a million people on the Mall today. We’d seen a lot of them on the ride into the city, though we’d come early enough to miss the main flood.
“Everyone use the bathroom before we leave,” Elijah’s dad says. “Once we’re on the Metro, there’s nowhere to go.”
While our parents take care of the bill, we all head for the restrooms. The women’s room only has three stalls, and there are twelve girls in our group, so we have to wait while everyone takes a turn.
“Oh God, this is going to be so hard,” Maria says. She’s in a gothic-lolita dress that makes her look like an evil Alice in Wonderland. She has thick pettycoats underneath that make the skirt poof out. Sitting on a toilet with those must be a chore.
“I told you, you should’ve dressed in casual clothes today,” Destiny says. Yesterday she’d worn a harpy costume from one of those monster-girl shows, but today she’s in shorts and a halter top.
“Can you help me get my underwear down? How did women wear this stuff back then?”
“No, I ain’t helping you with no underwear,” Destiny says.
Maria enters the handicap stall—the only one wide enough to fit her in that dress—and locks the door.
“I just hope the seat’s clean,” Mandy says, “otherwise shit and piss is gonna get on her dress, and it’ll be rubbing against her legs the whole way home.”
“Hey, I can hear you!”
I wait for a chance to use the toilet, but every time a door opens, somebody slips in ahead of me. I didn’t have much to eat, so I could probably get away without going ... though I do feel a slight pressure in my bladder. Better not risk it.
In the end, me and Mandy are the last ones waiting. She’s leaning on the counter while Faythe washes her hands.
“You got plans for the night?” Faythe asks.
“Crash,” Mandy says.
“Yeah. Me too, probably. As fun as this was, I don’t wanna do it again any time soon.” Faythe waves her hands under the blow drier. It doesn’t come on. “Once a year is enough for me.” She tries again. Still no luck. “What about tomorrow? What’re you up to?”
“I need to go see JT. I’m almost out of ...” Mandy eyes me. “Y’know.” Like I can’t figure out they’re talking about drugs? I know they’re both stoners. Everyone knows they’re stoners. Even teachers know it—in Algebra one day, Faythe had been passed out at her desk and Mrs. Tang had been making jokes about her being stoned.
“Yeah, me too,” Faythe says. She gives up on the blow drier and switches to the paper towel dispenser. “I’ll ask Eli, he can give us a ride.”
“Gag,” Mandy says. “I do not want to be stuck watching you two make goo-goo eyes at each other all day.”
“We do not make goo-goo eyes at each other.”
“Yeah you do!” Krissy shouts from a stall.
“You’re just jealous you can’t get Chris to ask you out,” Faythe says.
“Why would I want him to ask me out? I like my guys skinny.”
“Uh-huh. That’s why you’re always flirting with him?”
“I do not flirt with him.”
“Oh Chris, aren’t you going to masturbate to me?” I guess that’s supposed to be Faythe’s imitation of Mandy, though it sounds more like Cookie Monster.
“You are completely misreading the situation.”
“Riiiiight.” Faythe finishes drying her hands and tosses the paper towel in the garbage. “I’ll be outside.”
Mandy gives her the finger.
“Love you, too.” Air kiss.
The room’s silent for a moment, then somebody lets out a loud fart from one of the stalls.
“Gross!” Krissy says.
“Don’t pretend that wasn’t you,” Mandy says.
Mandy busts out laughing. Even I giggle.
“So you do laugh,” Mandy says.
“Sometimes.” I laugh quite a bit. But only at things I think are funny. Which isn’t what other people find funny. I tend to like old comedies better than new stuff. I’ve never laughed at a modern episode of Saturday Night Live, but I’ve seen reruns from the ‘80s that are hilarious. The original Ghostbusters is the funniest thing I’ve ever seen, but the remake only made me laugh once. I Love Lucy—genius. Family Guy—ugh. I’d learned early on that if I actually say that, though, people think I’m stuck up. So I pretend to be serious all the time. They still think I’m uptight, but they don’t take offense.
“I never knew you were into anime,” Mandy says.
“Yeah. A little.”
She squints at my outfit. “Yeah. A little.”
I cross my arms in embarrassment.
“Why didn’t you ever come to the club?”
Mandy and most of her group are part of the anime club at our high school. I’m not though. I’m only hanging out with them right now because I ran into them at the convention. Well, if you want the whole truth, I’m only hanging out with them because my dad’s the head of custodial services at Parker Elementary where Mrs. Hurlburt—that’s Faythe’s mom—teaches. If it weren’t for that, I doubt I would’ve done more than wave at everyone when we passed, but my dad had stopped to chat, and the next thing I knew, I was part of the group. Of course it helps that Mrs. Hurlburt used to be my teacher, so she knows what a loser I am. She probably thought she was doing a good deed by inviting us along.
I shrug. “I dunno.”
I’d thought about joining, back when I first started at high school. I hadn’t even realized such a thing existed until I heard it mentioned on the afternoon announcements. At first I figured I’d misheard—I mean, drama club or academic trivia team I can understand; those have practical applications. But anime? Couldn’t be. But a couple days later I saw a flier for the club on a bulletin board. I’d really wanted to go, but when I thought about it, I realized the sort of people who’d join an anime club would be hard-core fans who know all about voice actors and writers and directors. They’d be familiar with obscure old shows I’d never heard of, and know all about upcoming series.
If I walked in there, it’d be five whole minutes before someone would ask, “Why are you even here? You don’t know anything about anime. You haven’t even seen Princess Mononoke.” Just like Ed had done, in fact.
No, I didn’t want to get embarrassed like that. I’m sure the club had plenty of people. There was nothing I could add to it.
“Well, come out when school starts. It’ll be cool to hang out again, like in middle school.”
“Hey, don’t mind Ed. He’s an idiot. Everyone hates him. Most of the people in the club, though, they’re cool. You’ll have fun.”
A toilet flushes. After a moment Krissy comes out, comes over to wash her hands.
Mandy makes an after-you gesture.
“Thanks.” I go into the stall. The seat’s still warm when I sit down—I’ve always found that creepy, even at home.
I only have to tinkle, but I find myself sitting there after I run dry.
Should I take Mandy up on her offer? I’ve never thought of her as more than a vague acquaintance, and the way she is now is way different from how she’d been in middle school. But she sounded like she’d be happy for me to join the club. If there’s one person in the club who’ll welcome me, then ... maybe ...?
But did she really mean it? Maybe she was being nice. I don’t mind silence, but I know a lot of people get nervous if nobody’s talking. Once Faythe left, maybe she felt awkward standing with me and came up with some topic to fill the quiet. That seems more likely than her having fond memories of reading next to me in eighth grade. She was going through the motions, and if I actually show up to the club, she’ll think I’m an idiot for not having a clue.
That happened to me in fifth grade. A girl in my class had a birthday party and handed out invitations to everyone, but when I showed up at her house, she got mad. “I only gave you an invitation because my mom said I should give them to everyone. I didn’t really mean for you to come. How stupid do you have to be to think I’d want you here?” Her mom had intervened and let me come in, but none of the other kids (only the cool ones had shown up; the other losers had taken the hint and stayed away) would talk to me. When she opened my present—a princess comb-and-brush set—she’d laughed and asked if I got it from Wal-Mart. I had, but I said no. The worst part was, my dad was late picking me up, so I ended up staying there after the other guests had left. The girl had gone up to her room to play with her new toys, leaving me to watch a home improvement show with her dad.
No. Mandy probably didn’t mean the invitation. I shouldn’t go to the club.
I stand up and flush, pull up my pants. I go out and wash my hands. Looks like I’m the last one to finish. I hope they aren’t all waiting on me.
I step out of the restroom and immediately find myself face-to-face with Ed.
“Oh hey, I was just looking for you.”
“Sorry I took a while.”
“What? Oh no, there are guys still dooking in the men’s room, no worries.”
“I just wanted to ...” He crouches down until his face is on a level with my chest. What the hell?
“Mmm, yes.” He takes a scrap of paper from his pocket. I can’t see what it is, but he peels a sticker from it. He holds it up to my shirt. “Right there.” He smooths it onto the lower half of my right breast. It has a picture of a nipple on it.
“What?” I rip it off.
“It’s a game we were playing last night. Pin the Nipple on the Boobie. Guys have to guess where a girl’s nipples are and put the sticker on. I’m right, aren’t I? You’ve got droopy boobs, I can tell.”
“Way off!” I push him aside and head out to the lobby.
Though the truth is, he was only off on the horizontal, not the vertical. There’d been a two month period in seventh grade when my breasts had reached their full size and looked good. I’d thought, if I could lose ten or twenty pounds, guys might actually like me. But then they started sagging. And sagging. And sagging. I couldn’t ask my father for advice, so I’d went to my Aunt Sophia, and she’d taken me shopping for good bras. They didn’t make a difference, though. By the time I started high school, my nipples were pointing closer to the ground than the horizon.
I never take showers during gym because I’m afraid someone will notice and make fun of me—“Look at Purse, she’s got droopy tits!” It’d be like Carrie. Or worse—what if word got around to the guys? I mean, I’m not popular, but my unpopularity is at least neutral. People don’t notice me, which means they don’t make fun of me either. The last thing I want is something that draws attention to me.
“Is everyone here?” Mrs. Hurlburt asks when she sees me.
“Ed’s not,” somebody says.
“Great, let’s get away while we can,” Faythe says, which draws giggles from all the girls.
“Tim and Jay are still in the bathroom,” Elijah says.
“Drat!” Faythe snaps her fingers.
I go over to my father, who’s having a conversation with Elijah’s dad.
“You don’t think he’d do it, do you?” my dad asks.
“With that man, who the hell knows.”
“Who cares about North Korea? I don’t see why we can’t let them alone. Instead, we push them, they build nukes, we tell them they can’t have any, so they build missiles. It’s crazy.”
“Yeah. Kim Jong Un’s crazy. Our President’s crazy. It’s like Alice in Wonderland—we’re all crazy here.”
“I never thought I’d be saying this—” dad lowers his voice “—but I’d be down with a military takeover about now.”
“Yeah, I know. It’s not my ideal solution, but if the other choice is nuclear war, I say bring on the junta. Gotta be careful saying that, though. Some of these kids have parents—no one here, thankfully—who are total MAGA heads. You don’t want them spreading tales, you know what I mean.”
“Yeah,” dad says, “I read you.”
Tim and Jay come out from the bathroom area. They both stink of cigarettes, but the adults pretend not to notice. Ed appears right behind them.
“We ready to move out?” Elijah’s dad says.
“Yeah,” we all say half-heartedly.
We file through the door and into the summer heat. It had been eighty when dad and I left the apartment this morning, and the sun had barely been up. It must be twenty degrees hotter now. And the humidity ... a fish could swim in the air out here.
Elijah’s dad turns to the right.
“Shouldn’t we be going the other way?” Faythe says.
“Nope, this is the right way,” he says.
“The convention center’s back that way, isn’t it?” The Metro station was right under the convention hall, nice and convenient.
“Yeah,” Elijah’s dad says, “but that’s the Green Line. If we get on there, we have to transfer to the Red Line after one station. We can walk to that station, it’s only two blocks from here. That way we only have to wait for one train instead of two.”
“Yeah,” says Mandy, “but we’d be waiting in nice, air conditioned station. Instead of walking through an oven.”
“A little exercise never hurt anyone.”
“I think it has,” Chris says.
But we keep walking. Before we even get to the first intersection, I’m soaking with sweat. I take my jacket off, but that doesn’t help much. My shirt clings to me. Up ahead, Krissy’s T-shirt is so damp it’s turning transluscent, and Ed and some of the other guys are gawking at her back, even though all they can see is her bra-strap and shoulder blades.
Maria’s got it tough. Even though her outfit is made with modern materials and nowhere near as heavy as a genuine Victorian dress, it’s far from light, especially with all those petticoats. The sweat is pouring off her and she’s panting for breath. Her hair hangs like a rag. Elijah has a water bottle in his backpack, which he lends to her. She gulps it down in one go, but she’s breathing heavy again after a few steps.
Of course we’re drawing attention as we walk. Doesn’t help that it’s Sunday and this is a part of the city that’s virtually deserted on weekends. Of course the few people who are out and about are going to gawk at a small army trekking through the streets. They’d do it even if half of us weren’t decked out in cosplay. A couple people even stop to take photos of us as we pass.
“This is killing me,” Mandy says. “If I don’t make it home, tell my mother I’m sorry. She was right. No good comes from a grown child watching cartoons.”
“You could take your jacket off,” Chris says. “Leather and summer do not go together.”
“How many times do I have to tell you, I am not stripping for you.”
“Taking off your jacket isn’t stripping,” Chris says.
“Depends on your culture. Some places, they think it’s sinful to show your ankles in public. Taking off your socks is like pole dancing.”
“Yeah. We don’t live there. Take your jacket off and quit complaining.”
She doesn’t. “Whose bright idea was it to hold a convention in August? In DC! That’s crazy talk.”
“Hey, when I was your age, I walked everywhere,” dad says. Oh no. He’s going to start telling stories. “I used to walk down to the local mall every day during the summer.”
“Why? Did you have a job there?” Faythe says.
“No. To hang out.”
“At the mall?”
“Yeah. Everyone hung out at the mall back in the day.”
“That’s weird,” Faythe says.
“No, malls used to be cool,” Elijah’s dad says. “You’d go down there to play video games at the arcade.”
“Why would you go somewhere to play video games?” Elijah says.
“Believe it or not, there was a time when not everyone had a console at home,” his dad says. “And even if you did, you couldn’t play the best new games on it, like Mortal Kombat or Street Fighter II.”
“So they had free video games you could play the mall?” Chris says. “Why would they do that?”
“No, you had to pay,” my dad says.
“How long could you play for?”
“Until you died.”
“Sounds like a ripoff,” Faythe says.
“Yeah,” Elijah’s dad says, “it was. The guys who owned those places were raking in the bucks from dumb kids who’d drop a quarter on anything. I’m glad the current generation is so much more discerning. You wouldn’t fall for some dumb fad like, I dunno, a heavy plastic pinwheel that you spin with your hands.”
“Not this again,” Elijah moans.
“How many fidget spinners do you have collecting dust on your dresser?”
“Like three. Four. I dunno.”
“Uh-huh. And how much did you spend on them?”
“A bit. Not much.”
“I seem to recall one was twenty bucks?”
“That one has LEDs, and it’s made of die-cast metal,” Elijah says.
“Uh-huh,” his dad says. “Well worth the money, I’m sure.”
Twenty dollars for a fidget spinner? How does he have that kind of money to blow? I’d been saving my allowance all summer so I could buy stuff at the convention—I’d even sold some of my old books at the used bookstore—and I’d only managed to put together seventy dollars.
“Hey look, we’re almost there,” Destiny says.
On the other side of the next intersection, there’s a black pylon that marks the entrance to a Metro station.
“Oh, thank you Lord,” Mandy says.
“Air conditioning. Air conditioning,” Faythe pants.
“Some place to sit,” Chris says, “that’s all I want.”
The number of people coming in and out of the station is surprisingly large considering all the other streets around here are empty, but as we get closer, I see it’s next to the National Portrait Gallery. I suppose with all the protesters on the Mall, tourists are coming over here to avoid the crowd.
“Everybody stay together,” Elijah’s dad says as we cross the street.
Thats easier said than done. We’re a large enough group that we end up clogging the sidewalk, and we get annoyed glares from people who find their path blocked. Ironically enough, I see a woman get separated from her husband and kids because we cut her off.
We reach the escalators and ride them down. At the bottom, Mrs. Hurlburt gathers us all around and takes a head count. Satisfied we’re all here, she asks, “Everyone have their tickets?”
Dad has mine. He pulls it out of his wallet and hands it to me. Everyone else pulls theirs out.
“Uh, wait … hold on … I know it’s here someplace,” Maria says as she searches through a pocketbook.
Ed snickers. He’s standing off to the side with Tim, Jay and Krissy. “I hope she takes better care of her Green Card.”
The other three laugh.
Maria pulls out a big pack of cards and shuffles through them. “Ah, here it is.”
“Okay. Is everyone else good?” Elijah’s dad asks.
We all nod, and he signals us to follow him through the fare gates. This would take a while under the best of circumstances, but things go wrong when Maria’s dress gets snagged on the gate. We can’t get it loose, so Elijah and his dad go to find the station manager, leaving the rest of us to wait. We try to stand out of the way, but there are so many of us that it’s kinda hard. Plus, it’s obvious from the way we’re dressed that we’re all part of a group with the silly girl who’s blocking one of the gates.
“Oh God, I’m so embarrassed,” Maria says. Jordan and Destiny are waiting with her, though Mrs. Hurlburt keeps telling them to get out of people’s way.
“You know,” I whisper to my dad, “we don’t have to wait here. We can just ... go.”
“Come on, you’re part of the group. Why don’t you go mingle?”
What planet is he on where I’m part of the group? We’ve been following the group around, sure, but my interaction with them has been limited to not strangling Ed, and a kinda awkward discussion with Mandy in the bathroom.
But dad’s got a delusion that the only reason I don’t have friends is because I don’t try. He thinks if he pushes me out the nest like a good papa-bird, I’ll spread my wings and become ... a social ... butterfly ... okay, that metaphor went wrong somewhere along the line. But you get the point. And I don’t want to disappoint him, not after the kind of money he spent on me this weekend, so I’ll make an effort to mingle.
I wander over to where Faythe and Mandy are talking.
“See, I think a woman Doctor Who is just weird,” Mandy says.
“But he can turn into anything. Why does he always have to be a guy?”
“That’s the problem, though. If he can be anything, why is he always a white guy? Why doesn’t he ever turn Japanese? Or Samoan? Why does he even have to look human? Once you go there, it raises all kinda questions. Like, why didn’t they ever go there before? You can’t introduce a random change to a story this old.”
“Sure you can,” Faythe says. “You can do anything. It’s Doctor Who. There aren’t any rules.”
I’m with Faythe here. I’ve watched the old series with my dad, and expecting consistency from Doctor Who is like expecting coherency from the President. But I don’t say anything. I’m afraid if I inject myself into the discussion, they’ll be like, “Why would we care what you think?” or “Yeah, old Doctor Who sucks. Nobody watches that crap.”
Instead, I drift away.
Chris and a couple other guys are debating whether the newest Star Wars movies are better than the originals.
“All I’m saying is, the thing with the new Death Star, or Peace Moon, or whatever the hell it’s supposed to be—it’s tacked on,” one of the guys says. Steve, I think his name is. We had English together last year. “There’s no foreshadowing at all. It’s like JJ realized, ‘Oh shit, I need an epic battle for the end of the movie. Better insert a new superweapon!’”
“Come on,” Chris says, “you’re going to tell me the X-Wings and Tie Fighters going at it in the snow isn’t the most awesome battle in the series?”
“Yeah. Yeah, that’s exactly what I’m saying.”
“Blasphemy!” the third guy says.
I agree with Steve. The new movies suck. What they’ve done to Han and Luke is unforgivable.
“Okay, okay,” Steve says, “we need a second opinion.”
“We’ve got second and third opinions,” Chirs says. “Majority rules. You’re wrong.”
“Nope, right of appeal. It’s in the Constitution. You, you, you.” He points at me.
“What do you think? Force Awakens. The ending kinda sucked, right?”
“Uh ... I dunno.” Should I tell them what I think? No. Probably not. “It was okay. I thought. I mean, pretty good.”
The guy’s face falls.
“Owned!” The third guy says.
“Nobody agrees with Steve. Same as always,” Chris says.
“Genius is not appreciated in its time.”
“Keep telling yourself that, man.”
I fake a laugh, then move on like I have somewhere else to be. Like I hadn’t been hoping to glom onto their conversation.
I should go back to dad, tell him I’m not cut out for this sort of thing. I know he thinks this is for my own good, and I don’t want to disappoint him, but I’d rather he accept me as a social failure and let me do my own thing. You know, sit in the corner and read. Why do I need other people? They only hurt you. You think he of all people would realize that, after what happened with mom.
But I know how much he works. We don’t have much, but he kills himself for it—starting next week, he’s going to be pulling overtime getting the school ready for the new year. He’ll work ten hour days and more. If he wants me to go out and make friends, I have to at least try.
So I wander through the group some more. But what am I supposed to do? Go up to someone and start talking? Force myself into a conversation? I see other people do that sort of thing, but I don’t understand how they pull it off. If I try, they’re gonna say, “Get lost, loser.”
I reach the end of the group and turn around for another pass. But when I do, I find Ed standing behind me.
“Hey,” he says.
“Um, yeah.” Okay, I need to talk to someone, just to show my dad I can do it ... but does it have to be him? Why couldn’t it be Elijah? Why not Chris? Or Mandy?
“This sucks,” he says.
“Yeah, I guess.”
“I said we should’ve driven down, but everyone was like, ‘No, we’d need too many vehicles, let’s go Metro.’”
I wish they had. It would’ve given my dad and I a reason to go home separately from everyone else.
“This is such a fucking pain,” Ed says. “Why do we gotta wait around because of some fucking Mexican, you know?”
“She’s Mexican?” I don’t know Maria very well, but we’ve had classes together off and on since second grade, and she’s always spoken perfect English without an accent. So did her mom, that one time she’d been a chaperon for a field trip.
“Mexican, Colombian, Puerto Rican, who cares. The point is, she doesn’t belong in this country.”
“Yeah, and now that we’ve got an actual American as President again, she’s gonna get sent back to Meh-hee-coh. I’m gonna laugh so hard when it happens. I hope they do a raid at school, round up all the Mexicans. Wouldn’t that be cool, having ICE agents walking into classrooms and telling people, ‘I needa see your Green Card’? Ha-ha-ha-ha.”
I don’t know what’s funny. “Uh, sure,” I say.
Luckily Elijah and his dad get back right then, and they have a Metro employee with them. The distraction gives me a chance to slip away from Ed.
The manager takes five minutes to get Maria’s dress uncaught. Part of it had been sucked into the machinery when the gate barriers retracted, and it’s totally chewed up when they finally get it loose.
“Oh man, my mother’s gonna kill me,” she says as she examines the damage. “We spent three months making this.”
“Didn’t I tell you not to wear it today?” Destiny says.
“Shut up,” Maria says.
“Argue later. We’ve got a train to catch,” Elijah’s dad says.
We gather up again and head downstairs to the platform. I’m halfway down the escalator when a glow appears in the tunnel.
Elijah’s dad, at the head of the group, turns to us. “Come on, guys, let’s hustle.” He starts walking down the escalator.
“But don’t rush,” Mrs. Hurlburt tells us.
“Okay, I’ll hurry slowly,” Ed says.
As we get to the bottom, by dad’s standing to the side counting heads. He’s barely finished when the train screeches to a halt. He gives Mrs. Hurlburt a thumbs up and we get on board.
It’s one of the new models, and ones that have been setup with almost all the seats turned towards the aisle. And the handful that aren’t are all occupied. I get carsick anytime I’m in a moving vehicle and not facing forward. While everyone else finds a place to sit, I grab onto one of the handles.
“You can have my seat if you want,” Elijah says.
“Mm-hmm.” Nod, nod.
With the way Faythe has her arm around his shoulder, I don’t think she’d be happy with me trading places.
My dad, of course, remains standing, and so does Ed, though thankfully he’s at the other end of the car.
As we get into motion, Ed grabs one of the ceiling bars and hoists himself into the air. It’s not a full pull-up—if this were gym, Mr. Buchanan would be yelling at him—but his feet are off the ground, and they tilt towards the back of the train as we accelerate.
“Inertia!” he calls out.
“Edward, you stop that,” Mrs. Hurlburt says.
“It’s a scientific experiment. It’s educational.”
She rolls her eyes.
The train reaches full speed, and his body returns to hanging vertically. He lets go and drops to the floor.
But we’re in the heart of DC right now, so we’ve hardly gone any distance when the train slows for the next station. Ed hops right back onto the bars, this time with his feet swinging towards the front of the train. “Inertia!”
Mrs. Hurlburt shakes her head, but she doesn’t say anything. Yeah, it’s probably best to let him wear himself out.
At Metro Center, a couple dozen people get on board, some of them tourists by the looks of them, but most being protesters. That’s still not a lot, though. Did the protests fizzle? Or are these just people leaving early to beat the rush?
Some of the protesters are in cosplay themselves—one woman’s dressed as the Statue of Liberty, and there’s a guy wearing an Uncle Sam outfit—so we don’t get too many funny looks. At least not until the doors close and Ed does his inertia demonstration again.
“He’s so embarrassing,” Mandy says.
We stop again at Farragut North and a few more protesters get on, along with a couple tourists. The train’s not quite crowded yet, but it’s getting there. I can still see Ed, but the back of the train is obscured from view by people.
“Inertia!” Ed shouts. By now nobody’s paying attention to him except the new arrivals, but that doesn’t deter him from trying one more time. Then we hit cruising speed and he drops to the floor.
But when he lands, he tilts to the side and smashes his head into a pole.
“Woo-hoo, yeah,” Mandy cheers and claps.
“Shush.” Mrs. Hurlburt stands up, but when she takes a step, she lurches to the side.
I’ve already noticed it—the train is shaking. Not the normal shaking of a Metro car in motion. This is something else. And it’s growing more intense. After a moment, even the people in their seats notice.
“What’s going on?” Krissy says.
“That an earthquake?” Elijah says.
“In DC?” Chris says.
The lights flicker.
“I don’t like that,” Faythe says.
Elijah puts an arm around her.
Behind me, my dad puts a hand on my shoulder.
Then everything goes black.
To Be Continued...